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Now, down to one acoustic... I actually agree with this.
I don't need all the acoustics I've got.
I could get by very easily on just one.
And having more than one is a distraction in the extreme for me, as I'm always chopping and changing.
It's funny how we change as we get older. In some ways it feels like I'm giving up.
Or maybe just moving on.
I like to be outdoors more now, too - not just sitting in playing guitar.
I think that it's hard enough trying to learn many styles and also write your own songs...
Never mind having a bazillion different guitars to play.
And if you want to get really good you're better to focus on the one.
It's just that this focus might shift over time.
My focus used to be electric but now I'd rather focus on acoustic and singing.
Acoustic GAS in particular has been very obsessive, expensive and time-wasting. For me, personally.
I stopped playing in a band ages ago and most of the electric work is done on songs I've written some years ago. I've very little desire to sit in front of the computer after doing so all day at work, to record electric guitar parts and program drums. Going forward... a Zoom H5 for guitar and a vocal mic for simplicity appeal greatly.
@Zonular have you reduced just down to the one guitar (which one?) or just thinking on it?
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Currently 3 acoustic : 7 electric, but there are 3 electrics that have to go.
I'll always be an electric player I think so couldn't imagine selling all my guitars, but its good to have a few acoustics too to do different arrangements of full band songs and stuff.
One all solid dread, a old classical that a friend gave me. A recording king cheapy parlour and a BC rich acoustic electro I've had for the better part of twenty years
My only amp is a Peavey rage, no effects pedals at this point.
Totally get the idea of how much it would cost to buy stuff back but I suppose it's a case of moving on and trying to dedicate more time to the instrument rather than GAS and aquiring
They has been replaced by two stunning Les Paul’s, a 61(birth year) SG reissue and @imalrightjack 70’s SG with the fantastic replacement neck with the inlay that is important to both of us, from a well being perspective.
I'd love to get down to 1 of each, but it's handy having an acoustic tuned to Eb and one to E. Same with electrics. All the better if one of the electrics has single coils and a floating bridge and the other humbuckers and a fixed bridge. Now you mention it, a 12 string acoustic comes in handy....
You see how it goes.
At the time I had a Custom Shop 1960 NOS Strat, Gibson Custom Shop R8 and a Tone King Imperial II.
I sold them all and bought a Lowden O22C.
Didn't really regret it, but I found I did miss playing electric from time to time as the techniques used to play acoustic and electric are completely different. At least they are for me.
After a couple of years I ended up selling the Lowden and getting a new electric.
Ideally I'd own both. But time is an issue, so I'd rather just concentrate on one style. At the moment that's electric.
I'd quite like another acoustic but I'd probably buy a classical. I found I preferred playing classical pieces on acoustic to more contemporary stuff.
I can't help about the shape I'm in, I can't sing I ain't pretty and my legs are thin
But don't ask me what I think of you, I might not give the answer that you want me to
To answer the question, I never really made the big switch, just went with the right instrument for my playing situation at the time.
I have done a couple of big switches though, both quite recently. I went from playing 12-string to playing 6-string (which is actually quite a big change), and went from using a pick full-time (for everything except bass, which I always played with my fingers) to fingerpicking 100% of the time. The second of those changes in particular was life-changing. I only wish I'd discovered how much better I am when I fingerpick 40 years ago.
(Which is not to say that I'm actually any good. I'm just about 17 light years less worse.)
I had thought of getting a cheap acoustic and dedicating it to DADGAD or Nashville tuning - just to mix things up a bit when I am noodling.
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There is no way anybody has read and memorised all of that. The meat of it has to be the surrounding chapters on modulation, voice leading etc.
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And some lightly built acoustics take a bit of settling into a new tuning, meaning some adjustments are required before the tuning stabilises.
And I'm lazy.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
I think I'm going to take a similar plunge...
Do you regret it at all?
My YouTube Channel
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
My YouTube Channel
I'm personally in the process of downsizing, my ears are really set off with the electric stuff, no issue with the acoustics.
I had a Harley benton baritone (I was really impressed) but sold on to try and play better with fewer instruments. My go tos are a nice faith mars and a recording king Dreadnaught.
I would like a spruce topped guitar and learn some flatpicking but I know dropping 2k on a Martin won't make me a player overnight, so figure I better put in some practice.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.