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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog
seems about right for my drunken stumble style riffing.
would probably go for a 56 on top if I needed to play tighter / faster.
I also really like the paradigm version. though they are bloody expensive.
I'd tend to go normal set for home and practice. Treat the guitar to paradigms for recording or a run of shows (more than 2 a week).
Gibson SG, Flying V, LP standard and Studio
Ibanez Destroyer II
Charvel Model 3a
Kramer Barreta
LTD eclipse
I use 11-54 on all of them.
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
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"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
He definitely has a light touch. One advantage of using a relatively heavy coin instead of a plectrum is you need to generate much less force with your picking hand, which can allow for a lighter grip.
By contrast, a lot of thrash metal players use green tortex .88mm picks, which do require you to generate some more force with your playing to get the sound for the style. It's more likely you'd need relatively thicker strings playing this style in this way, and for a lot of players the extra tension that brings does also translate to gripping harder with the fretting hand which doesn't help with intonation either. Thicker picks can allow you to lighten up a bit but the sound isn't quite as crisp as a thinner pick played more aggressively - most easy to hear in extremes, if you compare a .88 to a 1.5mm pick the 1.5mm pick will usually sound comparatively duller, which isn't usually wanted for that style.
It's part of why it's not easy to give blanket advice on string gauges for downtuning because it depends on so many other physical and playing style factors, and that's before you even get to technique.