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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
In reality there's far more to it in terms of how each different instrument resonates and how the different total string lengths affect things, etc etc. And a few specific sounds are fairly unique (Strat in-between, Jazzmaster pickups, etc). But you can get reasonably close.
If you have a couple of really great instruments you love I certainly wouldn't advocate buying more less-good guitars just to get 1% closer to a specific sound.
That said, EQ is a useful tool in many respects, especially pre and post gain stages i.e. overdrive, distortion.
Trading feedback here
Possibly a 31-band graphic, or a parametric might work.
Or for a simpler way to change the character, a comb filter can achieve more - so a stuck flanger or phaser for example. A notch filter might just work.
The FOXROXX ZIM had a comb filter gif one side, just a set of give or six settings, and a knob for boost or cut. That was remarkably effective.
A favourite use for me is to put an EQ pedal before a warm distortion to starve it of lower mids and volume, to give an almost Rickenbacker-like jangly rhythm tone.
Play the guitars you know and like and modify their output, that's what all pedals are for.
There are plenty of famous records where guitar parts were not recorded on the guitars we all associated the player with and assumed they used - various forms of EQ and compression are the primary reasons for that.
https://youtu.be/FX_zIpWjaiQ?si=CuIdUzt4ZPFzq2xk
It's the same with pedals I've got loads of drive but use 2 on a board. I get bored sic so mix and match
I'm not pro semi pro or anywhere near pro. I like having lots of stuff and home and choosing which gear to take out. As I say to people I've got 9 guitars and 2 hands.
Two guitars work. Drive is drive. The only thing you can't take is a strat in-between sound but a 2 p90 guitar can get close.
Its really easy to overthink this stuff. If you have a sound in your head that you absolutely have to have 100% or else the sky will fall in, then you maybe need different guitars. If you just want a good sound, you can make almost anything work for anything.
I can sometimes tell single coils from humbuckers but not always.
A lot depends on the amp, the EQ and how the strings are picked.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
For example, the only song at our last gig that really needed a jangly tone was Free Fallin' and I'm not going to bring a Tele and Vox for one song.. EQ did a great job.
I also used a pitch shifter with EQ together to thin out and brighten the darkened, compressed tone as we were playing Led Zep Rock-'n'-roll in G for vocal comfort and that's was the easiest way to keep the main riff going while bass and other guitar played in standard tuning. Again that saved bringing a guitar in D standard for a single song.
And none of the three guitarists I was aware of in the crowd said anything other than compliments about my guitar sound and they loved that we did thode songs well enough. FWIW they were actually critical of the other guitarist's tone which was probably based around seeing the gear he was using. It's amazing what happens when people don't know your signal chain
The Tom Bukovac video above is exactly what I was getting at.
https://youtu.be/eo5_ZtVS0kY
https://youtu.be/wjhTxQXu8sc
Not a dedicated EQ pedal but it can cut and boost and shape your sound and that's the Xotic RC Booster and I found it a great tone shaper
Experimenting with new speakers (buying/fitting) can be expensive and time consuming. More so than perhaps trying to match a specific guitar tone, an EQ can be a good approach to modifying your amps tone if you're not overly happy with it and especially combined with a BBE Sonic Stomp Maximiser (both in the fx loop btw) where the BBESSM really helps to un-muddy your sound and give you a clearer, more defined tone.