Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Voting for Solo of the Month (SotM) #97 - Making Music Discussions on The Fretboard
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Voting for Solo of the Month (SotM) #97

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Welcome to the voting thread for Solo of the Month (SotM) #97. Feel free to vote and comment in this thread.

Thanks to @fastonebaz ; for this backing track

Vote for your top 3 entries. If you're an entrant you can't vote for yourself.

1st choice gets 5 points
2nd choice gets 3 points
3rd choice gets 1 point

Voting will end at midnight 31st August 2023.

The top three will be announced after the voting closes. No prizes. It's just for fun.

It's not a competition.
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Comments

  • joeWjoeW Frets: 387
    @digitalkettle 5 pts - made the tricky ending sound amazing 
    @flying_pie  3pts - the break section was particularly well handled
    @fastonebaz 1pts - excellent development and buildup but that crying bit was deeply unnerving 

    the production levels of the entries was a not so gentle reminder that I need to work on mine.  
    FWIW I was honking away on a big fat L5 with a .14 top e - so it did sound a bit odd esp when I tried a bend (which I never do for good reason).
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  • digitalkettledigitalkettle Frets: 2587
    edited August 2023
    joeW said:
    the production levels of the entries was a not so gentle reminder that I need to work on mine.  
    FWIW I was honking away on a big fat L5 with a .14 top e - so it did sound a bit odd esp when I tried a bend (which I never do for good reason).
    I did hear of an incident where a tanker drifted off its moorings while you were borrowing that top E string

    I like to hear entries that are different to the norm...let's face it, most of us are rock-based: my entry this month had comp, two stages of gain, two delays, two reverbs...and there may have been an edit 3/4 of the way through

    Keep 'em coming!
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  • 5pts - @flying_pie - your kids were right ;) Loved the tone/melody combo...big classic rock vibe with extra helpings of reverb that threatened to get out of control on more than one occasion (but didn't)
    3pts - @Bellycaster - lightly overdriven tone...reminiscent of Wishbone Ash
    1pt - @stratman3142 - got more and more engaged as the solo progressed...maybe the most 'digging in' I've heard from you

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  • 1pt - @stratman3142 - got more and more engaged as the solo progressed...maybe the most 'digging in' I've heard from you


    The effect I was going for was, to build to a climax and then lay back and have a cigarette (except I don't actually smoke) :)

    It's not a competition.
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  • joeWjoeW Frets: 387
    I did hear of an incident where a tanker drifted off its moorings while you were borrowing that top E string ;)

    I like to hear entries that are different to the norm...let's face it, most of use are rock-based: my entry this month had comp, two stages of gain, two delays, two reverbs...and there may have been an edit 3/4 of the way through ;)

    Keep 'em coming!
    Out of curiosity- do you have this set up via a modeller or pedals or straight into a computer and effects via vsts?  
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  • joeW said:
    I did hear of an incident where a tanker drifted off its moorings while you were borrowing that top E string ;)

    I like to hear entries that are different to the norm...let's face it, most of use are rock-based: my entry this month had comp, two stages of gain, two delays, two reverbs...and there may have been an edit 3/4 of the way through ;)

    Keep 'em coming!
    Out of curiosity- do you have this set up via a modeller or pedals or straight into a computer and effects via vsts?  
    Sometimes, I will DI straight in and use one of the Neural DSP plugins that I've got.

    This particular recording was through my 'messing about' pedalboard which features a Simplifier (actually the DLX version which is now in Classifieds). It's a full board of pedals, some upfront, and some running stereo in the Simplifier's effects loop. The output runs through a Boomerang Looper (which I probably should've removed before recording). So that whole setup is 
    a bit more spontaneous with slightly more noise...and there's some tap tempo available but nothing is perfectly sync'd (which is probably a good thing).

    Then there'll always be some mix effects in the DAW.

    I never record using a real amp.
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  • flying_pieflying_pie Frets: 1767
    @joeW if you're interested here's my setup. In real life it's less complicated than when written down.

    I essentially use a real amp but don't mic it up.

    My pedalboard is a Boss GT100 in 4 cable method with a Victory Kraken pre-amp and a Mooer Radar IR loader pedal, which is the same as an amp with emulated out. I only use the GT for effects and have the amp sims turned off.

    I use the GT100 as an interface via the USB. I have a selection of IRs in the Radar. Although it's easy to record a dry signal and reamp with this setup I prefer to have my intended recorded sound in place first.

    There's EQ,  light reverb and often delay already in place in the GT but I might add more in REAPER for extra soul and talent. This month there was definitely extra reverb and delay
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  • flying_pieflying_pie Frets: 1767
    And here are my top 3. Hard to choose as always and any could have featured

    5 points @digitalkettle - am I right in thinking that the fast section was perhaps inspired by a certain Marty Freedman solo in the same key? Great job all round

    3 points @Bellycaster for a great large bird inspired tone and approach

    1 point @fastonebaz - lovely melody and approach with the right amount of shed. Didn't need the crying gimmick and could have been higher in the list if that was omitted 
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  • ...
    5 points @digitalkettle - am I right in thinking that the fast section was perhaps inspired by a certain Marty Freedman solo in the same key?
    ... 
    No actually...although I do like a 'quote' here and there ;)
    Which tune is that? I'll give it a listen.
    Tbh, Chris Poland is my favourite Megadeth guy.
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  • flying_pieflying_pie Frets: 1767
    ...
    5 points @digitalkettle - am I right in thinking that the fast section was perhaps inspired by a certain Marty Freedman solo in the same key?
    ... 
    No actually...although I do like a 'quote' here and there ;)
    Which tune is that? I'll give it a listen.
    Tbh, Chris Poland is my favourite Megadeth guy.
    Tornado of Souls is the song in question. I thought that your fast part into the descending lick n the break was perhaps inspired by that solo.

    And "quotes" are an essential part of any solo. I think it should be a prosecutable offence not to include one in any 'original" solo.

    I only knowingly used one that was very subtle, short and from a different Pink Floyd song on the same album as the really famous one that fits this backing track
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  • ...
    5 points @digitalkettle - am I right in thinking that the fast section was perhaps inspired by a certain Marty Freedman solo in the same key?
    ... 
    No actually...although I do like a 'quote' here and there ;)
    Which tune is that? I'll give it a listen.
    Tbh, Chris Poland is my favourite Megadeth guy.
    Tornado of Souls is the song in question. I thought that your fast part into the descending lick n the break was perhaps inspired by that solo.

    And "quotes" are an essential part of any solo. I think it should be a prosecutable offence not to include one in any 'original" solo.

    I only knowingly used one that was very subtle, short and from a different Pink Floyd song on the same album as the really famous one that fits this backing track
    Ah...that solo! I keep getting a feeling that I should have a go at it...bit chewy though ;)
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  • flying_pieflying_pie Frets: 1767
    Tornado of Souls is the song in question
    Ah...that solo! I keep getting a feeling that I should have a go at it...bit chewy though ;)
    Yes. That solo.

    Definitely one of those ones to put in the "maybe one day but not now as there are other things to do instead" folder

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  • fastonebazfastonebaz Frets: 3775
    In my head this backing tracking was about two people having an argument with a climax and then them staring quietly at the scene in the aftermath.

    5pts @stratman3142 I found myself getting goosebumps the first listen through.  I felt there was a real passionate honesty in every note.

    3pts @flying_pie very tasty phrasing and huge juicy wet tonez.

    1pt @Bezzer I loved the mahoosive bend at 12s and i could visualise two people having a crazy unpredictable argument. 

    Great playing by everyone :smiley: 
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  • fastonebazfastonebaz Frets: 3775
    joeW said:
    @digitalkettle 5 pts - made the tricky ending sound amazing 
    @flying_pie  3pts - the break section was particularly well handled
    @fastonebaz 1pts - excellent development and buildup but that crying bit was deeply unnerving 

    the production levels of the entries was a not so gentle reminder that I need to work on mine.  
    FWIW I was honking away on a big fat L5 with a .14 top e - so it did sound a bit odd esp when I tried a bend (which I never do for good reason).
    I'm pleased with that.   I spent a while lining up where the Crying starting to make it most jarring.  Kept catching me out too when I listened back in the car as it gave me a brief icy blast of shock :lol: 
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  • I'm pleased with that.   I spent a while lining up where the Crying starting to make it most jarring.  Kept catching me out too when I listened back in the car as it gave me a brief icy blast of shock :lol: 
    Where did the recording come from?
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  • stratman3142stratman3142 Frets: 2072
    edited August 2023
    In my head this backing tracking was about two people having an argument with a climax and then them staring quietly at the scene in the aftermath...

    Similar here, except I was thinking about sex

    It's not a competition.
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  • stratman3142stratman3142 Frets: 2072
    edited August 2023
    5 points : @flying_pie ;; : Epic, one might even say grandiose. I can imagine you standing on top of a castle, with a billowing cape, playing that solo.

    3 points : @fastonebaz ;; : Has a bit of everything. melody, guitar harmonies, great build to shreddiness. Not sure about the crying bit, or did you hurt your fingers with all that shredding?

    1 points : @digitalkettle ;; : Great ideas as usual. You create guitar textures and well as melodies. As always, you keep things interesting.

    It's not a competition.
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  • fastonebazfastonebaz Frets: 3775
    I'm pleased with that.   I spent a while lining up where the Crying starting to make it most jarring.  Kept catching me out too when I listened back in the car as it gave me a brief icy blast of shock :lol: 
    Where did the recording come from?
    I just told my wife I was buying another guitar :lol: 
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  • flying_pieflying_pie Frets: 1767
    5 points : @flying_pie ;;; : Epic, one might even say grandiose. I can imagine you standing on top of a castle, with a billowing cape, playing that solo.

    Drat. I was going for standing atop of an epic, rugged natural rock formation wearing a sarong... Fail...

    The less glamorous reality was sat on an IKEA stool in a shed wearing t-shirt and shorts, although the door was open and there probably was a gentle breeze
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  • Voting closes tonight at midnight.

    It's not a competition.
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  • BezzerBezzer Frets: 572
    Better get some votes in then! Sorry, not around much at the mo!
    5 - El Snr @fastonebaz - I'm such a sucker for "classic instrumentalist harmony" and a squealie, the shredz was suitably bonkers and the close out with crying and harmonies was classic Bad Horise era Vai.
     3 - Mr @flying_pie - that background run at 33s and the second guitar from 47s onwards ... sublime!
     1 - Herr @digitalkettle ;- lovely phrasing, descending licks from 20s-ish *chefs kiss*, liked the energy build up and smooth close out.

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  • BellycasterBellycaster Frets: 5750
    Some creative stuff all round, well done, guys!

    5 Points @digitalkettle - Nice Jaggedy Tremolo and a mix of bluesy and ripping licks.

    3 Points @flying_pie - Very spacey (Not the Kevin variety) tone, some good layering and bends.

    1 Point @fastonebaz - Genuine Lol (in a good way) when the crying started. Nice rocking solo too with some nifty legato and love a good pick scrapes does I.
    And they said that in our time, all that's good will fall from grace, even Saints would turn their face, in our time.
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  • Voting closed.
    It's not a competition.
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