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I am looking for suggestions for a 1x12 combo.
I run a wet dry rig with a TR custom v3 head and a 2x12 as the wet amp. Currently I run a Marshall Jtm60 head and a Marshall 4x10 cab as the dry. I usually have about 75% wet and about 25% dry just to give it that immediacy. Love the sound, that’s not the issue. I am bloody fed up with the volume of kit so I am looking to downsize the Marshall to a combo 1x12 of some description.
I do like a vox sound so was erring towards a new Bad cat black cat but was a bit alarmed around the reports of transformers blowing in the initial batches. Not ruling it out though but what other options are worth looking at? I want to preserve clean headroom- the songs require clean cleans so I because I get dirt off pedals, I think that rules out some gear as it needs to complement the TR. so it needs to be loud and avoid break up when cranked.
Gonna sell the Marshalls but budget say £2k tops. So I found a second hand /13 for c£1800 or maybe some sh boutiquey amps…. Or maybe new bad cats or similar. What suggestions might you have and why?
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Failing that, how about a TR combo of some sort? Studio sig? Compact and clean as well as loudish. The ultimate answer would be a twin but they’re big and heavy so fail on your physical downsizing requirement.
Small, light, loud, clean, sounds great, totally reliable and within your budget.
… by about £1400.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
PA Hire and Event Management
Otherwise, the J40 is incredible- you're welcome to try mine.
*An Official Foo-Approved guitarist since Sept 2023.
/13 SJT 10/20
Badcat….
Matchless….
LazyJ @gassage you are a bad man
Carr
Deluxe reverb
Peavey
And having spent too much time today on the internet, Hamstead Artist RT60….
Also, how about the Victory Copper series? They’re meant to be decent, though I’ve not tried one yet
I know we both bang on about Bandits a bit and I still love my Fender and Marshall valve amps, but as a lifelong valve amp tinkerer and snob I'm constantly pleasantly surprised by my Bandit.
I used mine as a monitor for my Pod Go for last night's gig and it sounded great instantly, and it felt great too, which is far more elusive and surprising for a modeller/solid state amp pairing.
I keep banging on about this too, but I’m more convinced than ever that output stage damping is the key to the ‘feel’ - valve amps naturally (accidentally) have low damping, solid-state ones naturally have high damping… except when they’re purposely designed not to have, which is what the Transtube circuit does. Some other solid-state amp ranges have something similar, but less effectively.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Agree about the Texas Heat. I replaced a 70/80 in my Traynor with one and it completely transformed the amp.
Interestingly the speaker it replaced was a Line 6 custom G12P-80 - a revoiced Seventy/80, although it sounds quite a bit different from the standard one. The Eminence has more bottom end and a really nice upper-mid chime that the Celestion doesn’t.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Appreciate Horace has has a mare with it and really hope the next one works fine. But its the best amp I've ever had, and Ive had a lot..
There was one on eBay recently and I think the seller resides in this parish.
If you could find more pennies, the Marshall setting on a Bartel is a thing of beauty. @fretfinder is selling his for some strange reason, but the beauty of the Bartel is that you'll have Marshall, tweed, Vox and blackface settings in one amp. That means you can use it as a pedal platform or as I do, with the guitar set the drive the amp and roll back the volume to clean up. If you get to grips with a bartel, you don't need pedals, other than maybe delay, chorus type.
one of these…….
https://www.matchlessamplifiers.com/amplifiers-and-cabinets/lightning
Hopefully yours isn't brown .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson