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Absolute snake oil salesmen. There is literally nothing about their pedals and either their time or components or the skill in building them or their desirability or even pedigree that makes their prices even vaguely in line with reality.
They are an insta-influencer marketing scam.
There are some brilliant boutique builders that do amazing repros, like Jimmy C and Dustin Francis.
There are some brilliant boutique builders that are know to be the best in the business that have for want of a better phrase 'perfected the circuit' like Analogman or Foxrox.
There are some standard production line fuzz faces that easily hold their own against the big boys like the big box Dunlop Hendrix fuzz, the Solidgold FX If 6 was 9 etc.
I currently have a Sonus 68 Jimi Mod germanium fuzz with old NKT transistors that sounds glorious and even then brand new it was under £300.
Don't give your money to those pricks. You are way better off getting something from one of the companies mentioned above and just learning the different ways to set up a fuzz pedal and amp to attain the specific tones you are after.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Good luck with your fuzz choices.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I'll give them a bit of leeway as English isn't their first language, but I've seen that sort of marketing BS in dozens of places before. Tone is in your hands/it's how you feel/vibe/mojo/voodoo etc etc. Oh and it turns out you can buy all those things for 4 figures.
Just do some research on whatever Analogman, Roger Mayer, JHS, Way Huge or even MXR (who own the rights to fuzz faces now I think) do in the Fuzz Face realm, they'll all be good.
You could probably get all of the above with change for the price of an 'Isle of Tone', judging from the used UK prices.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I know this opinion is sort of unpopular, but anyone sounds good through pretty much anything if they practice. I know those of us with busy jobs and kids to attend to will always be tempted to buy their way into sounding better, but it's just not a thing.
A lawyer friend of mine was recently advised that the best answer to questions as to fees when you don’t have enough detail to be able to give any sort of a realistic estimate was to say that they are “reassuringly expensive”. This is the same principle.
Analogman says he has never once seen one in an original fuzz face and they refuse to use them.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
For me the difference is that whether you like his work or not, Tom Murphy has pedigree. Gibson has pedigree. They have the clout to be able to be reassuringly expensive.
This is an exercise in 'only someone with magic ears could appreciate this pedal, you do have magic ears, right?' style marketing and it ruining the industry in my opinion. It's aimed at scamming rich idiots.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Castledine is reassuringly expensive. He only charges bigger bucks for stuff where there is a lot of time consumed testing and discarding transistors (that others would happily use) before finding a great set.
Lots of his stuff like his wah and vibe cost way less that other builders of his standing in the game. I'd have said the same for DAM but their recent subscription thingy is sickening.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
People with more money than sense and for whom money isn’t an object, they need to be catered for.
What the more affordable/less snakeoily stuff doesn’t offer compared to IoT is bragging rights and the assurance that comes with spending nearly the most you possibly can on something. The IoT stuff also looks great, you can open it up, show the “vintage” cardboard to people, retell them the marketing spiel, feel good about yourself.
I just think of this whenever someone tells me they own an IOT pedal, which of course they never do because nobody has actually bought one. They've just been gifted them and told to pass on the hype like a crypto or NFT salesman.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I’m into vintage gear my whole lifetime. Always corious how amps, guitars and pedals work, trying to understand and getting deeper into that materia, learn to distinguish between a *magical touch* and an interpreted into *Voodoo* we might perceive while playin some *holy grail* stuff.
Aside from the terrible proof reading, that's guitar gear scammer phrase bingo. I don't care how corious he is and about which materia. The magic voodoo holy grail of bellends.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.