UNPLANNED DOWNTIME: 12th Oct 23:45
Speaker/Monitor recommendations for a studio
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A few years ago, we converted our garage into a sound-proofed space and it's great. The guys who carried out the work were not acoustic specialists and whilst it's a room-within-a-room i.e. suspended floors and ceiling with neoprene under the floorboards with bass traps added soon after (not shown in pic), it's a very boomy space and you cannot rehearse in there with a couple of instruments as it's too fatiguing. It does serve my son well for his acoustic drums and for me to go in on my own and turn up.
We have PA comprised of a Mackie 12 Channel desk and 2 X Behringer Eurolive speakers and whilst it's a perfectly good PA for gigs, in this space, it's almost like overkill and whatever EQ I apply at the desk and/or cut the bass via the controls on the speaker, it's boomy. The speakers are an ok weight, 450w and a regular PA or wedge-sized speaker.
Can anyone recommend a small but loud studio/monitor speaker (it has to be able to compete with an acoustic kit for playing along of songs) that might work in this type of space and with my mixer? I'm happy to lose the PA speakers and effectively my live PA but I want to have good, clear and loud speakers for playback of music.
Alternatively, I may be looking at this in the wrong way and maybe what I have is ok but I should be thinking about proper acoustic treatment but that all sounds costly.
Cheers
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I've got some fairly loud monitors but a loud kit wont sound balanced against them.
You need a PA for that.
Do you have a budget in mind?
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John_P, I have bass traps in all corners and mentioned earlier
Are the bass traps in corners? Considered adding two more floor to ceiling?
That is what a PA is for.
Even my Kii Threes and ATCs don't get over a bass drum.
That isn't their job.
You can't use a sports car as a tractor and you can't use a tractor as a sports car.
At least not well.
In terms of acoustic treatment, you need a lot more bass trapping in there for it to do any good.
Treat corners.
Why did you place the existing ones where you did?
Is that a mirror I see in the left edge?
That isn't going to help.
But really you need to use a measurement mic and Room EQ Wizard to see what the problems are before doing anything.
You won't get it right by accident.
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I used Blue Frog acoustic treatments who did a virtual assessment and supplied the bass traps.
My wife is a singing teacher and required the mirror for her students but I always thought it would compromise things
Si
Hi Si,
I can't remember how we did it and I've been looking back at my emails to see what's what and can't find anything as specific or scientific as that. All I remember were photographs and room dimensions given and then I received some images of things in situ and where bass traps would go but no other dimensional plans.
Given what's been said here, it doesn't sound like monitors are going to work for me due to the acoustic drums - if it was just down to what else we use in there with playback i.e. guitar, bass, keys and vocals, I'd be seriously tempted by your units James @octatonic but for now, I think I'm going to stick with my PA speakers but get a professional acoustic assessment.
Below is a recent picture at the far end - the walls are soundproofed and there acoustic boards around the studio as well as bass traps in 3 corners - one on the left here that cannot go to the ceiling due to the consumer unit being there and 2 stacked to the right, floor to ceiling. There's a third one on the right corner at the other end and a double door.
The drums are on a slightly raised platform with neoprene underneath but there's also neoprene underneath all the floor in there and yes. The mirror is large but can be covered when not in use by my wife and students when teaching vocals and performance.
As mentioned at the start, the remit for this space is more about playing along, practising rehearsing to playback rather than being a rehearsal space for multiple instruments but that would be nice to be able to do at least drums, bass and guitar - Thanks for all your comments so far
Much as I dislike them for gigging, an electric kit would work perfectly there!
Have you considered buying a good headphone amp (Presonus HP60, has ins for every channel so you can add mixer direct outs for each player into their mix) and getting everyone on closed back headphones?
It's a faff to setup at first but you can turn the bass amp down alot (keep it on in the room for some body rumble) and have everything barring drums in the headphones. Should be less fatiguing, save your ears from the drummer too and make the vocals way clearer.
Indeed and we do have a basic Roland electronic kit that's currently not in there. That does work but not the same and not using hot sticks or practice pads as the kit does sound nice in there.
@Winny_Pooh a good idea but I don't fancy that and want to keep it live, but cheers
As for treatment within the room, just from a look at the photos and a bit of guessing, the next area to target would be the ceiling over the drumkit. My experience of drums in small rooms is that a lot of the unpleasantness comes from trashy reflections and the ceiling is a big, flat, reflective surface that's very near the instrument.
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@PolarityMan - the cymbals sound fine. In fact the drum kit sounds good on there and isn't overkill. It's the boominess of playing back music in there to play along to or a bass guitar.
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Bass is reduced from the desk and the same from the EQ on the speaker
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