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Then there's pickup type, twin channel drivers, boosters, geranium boosters and overdrive, running three boosters together...
For my live pedalboard I mostly keep everything on 10 on the guitar and turn pedals on & off to get louder and/or more dirty sounds as required. For that setup I use an Origin Revival Drive Compact (which makes my Fender amp sound more like a Marshall) and a Vemuram Jan Ray (which just pushes everything a bit harder and makes whatever you're playing sound bigger and fatter - mostly for solos). Sometimes I'll also run a clean boost which is there purely to make everything louder without adding distortion. That's mostly with a Strat or ES-330
At home last night I was plugged into just a Benson Preamp, and would use the guitar's controls to adjust the sound, turning down to get a bit cleaner, and turning up for solo passages. This was using a Gibson CS-336 with PAF-style humbuckers
Guitar volume always at 10. Otherwise you're wasting some of the output of your pickups, and that's morally wrong.
The popular TS into an already overdriven amp does that. Then for a volume boost you need something in the FX loop instead. Either a simple level boost (no extra drive) or an EQ pedal is very good for that.
How the overdrive is used is user and amp based. Some people keep the pedal drive low and crank the output so it's really boosting / compressing the input of the amplifier. Others add all the pedal drive but keep the pedal output low.
There's no rules.
Well apart from...
and
Guitar>Drive at max>JCM800 dimed.
Just can't beat that. Loads of filth but with a clarity and string separation that a lot of modern high gain amps just can't do.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
When using my channel switching amp - I use a Boss SD-1 (high level, low gain) into the drive channel for a (creamy) lead boost for solos. I NEVER use this on the clean channel - it sounds brittle / harsh to me.
At tonight's rehearsal I'll use the SD-1 with the gain higher and the level backed off so as to add a makeshift crunch channel to my (single channel) Fender Pro Junior when I step on it. For lead boosts I'll max my guitar volume knob.
Spoken like a true pedal-head! :-D
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Other fine approaches exist and work, but my fingers are confused enough with normal duties - adjusting switches and knobs while playing is like trying to play the accordian and knit at the same time. Whereas stamping on things is more or less doable.
Usually, as I generally play on my own at home, I don't need to jump from one sound to the other quickly. An exception would be something like nirvana style quiet/loud/quiet/loud rhythm.
I usually use a looper and record a rhythm pattern with a little dirt then change settings for a suitable lead tone to play over it, generally with more dirt.
In short, I don't usually stomp in the middle of playing.
Edit: for home use I wasn't stomping on pedals and shouting "thank you Wembley" to the dog.
I use overdrive pedals to give overdrive, with the output level set at unity with the clean sound or very slightly above it, so that if used into a clean amp the result is crunch at the same volume in the mix. What's interesting is that used like that, the classic Tube Screamer/SD-1 type pedals work just as well into an overdriven amp - at least if not too heavily distorted - and even more remarkably still produce a volume boost, so you get both an alternate crunch sound and a solo sound from the same pedal settings.
I do use the guitar volume sometimes to give a slightly reduced amount of dirt or boost, but it's not really a major part of my sound/technique - apart from once I was in an unusual type of band for me, where for some reason it seemed to work perfectly to leave the pedal on all the time and control *everything* from the guitar. I don't know why, and I haven't done it again since.
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"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The way I look at it, having the guitar volume at 8 means I always have a bit "more" if I need it at any time.
Nil Satis Nisi Optimum
+1
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Nil Satis Nisi Optimum