UNPLANNED DOWNTIME: 12th Oct 23:45
Raygun Relics incredible work!
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Hi folks, I'd just like to recommend Graham Muir of Raygun Relics for the incredible work he does at such reasonable prices. I am not in any way connected to Raygun, apart from the fact that Graham has cast his magic on two of my existing Tele's and built another which I have bought. It is stunning work and I really don't know how he does it... incredible! In the photos below, Graham has transformed my original tired black '84 Tokai Breezysound which I bought in New Zealand in '85, into a stunning Sonic Blue Bigsby'd Beauty! The other is a Tele I put together myself but was never fond of... it was a bit boring and bland. So Graham has resurrected it into the beast you see below. I cannot recommend him highly enough, stunning and a great guy to deal with too!
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Sorry, it just seemed that kind of post. Looks great work.
What's shocking is that he's only a few miles away from me!
(formerly miserneil)
Graham likes to produce "different" but familiar guitars with superb attention to detail. I'm not keen on the "heavy relic" thing, but it you ask him to "lightly age" your guitar... no worries! I have to say I do like the "Seaworn" Tele on his Pinterest site. It really does look like it was washed up! He's going to start a Jazzmaster for me next... WooHoo
Having chatted with Graham, I decided to go with an aged-white finish which I think looks great with the rosewood 'board. What's even better is that he's kept all the original dings, knocks and scuffs so it's still very much "my" guitar but it looks about a thousand times better!
Absolute top notch fellow and I am delighted with his work. Would encourage anyone interested in this sort of thing to check him out.
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The dilemma with this one was simply that it was already quite worn when I got it and I've added to it a bit over the years (top photo was over 15 years ago and I bought it a few years before that). I always liked the wear on it while wanting a solid colour finish so it was great to be able to keep the original dings without needing to attack it any more.
I don't consider it any more "authentic" (or inauthentic) than any other relic finish but it's special to me because it still seems like the same guitar I've always had.
Nice thread,although I can't help thinking about about this boner.
Muslamic Rayguns!!!!!!!
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It was genuine wear.
Facepalm everywhere.
Perhaps in some parts of this crazy, post-modern dystopia clinical, unrealistic wear is desirable to the grubby old version involving the guitar actually getting played?
It's that classic relic owners philosophical dilemma: if your immaculate, custom shop, masterbuilt and aged strat falls over in a wood, further wrecking the finish, with no-one there to see it - is it now an inauthentic relic due to the authentic wear?
if the "authority" is lucky he gets to make someone else feel inadequate, which is an important thing... right?