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TBX stands for TotalBolloX . It does not 'expand bass and treble' as Fender claimed (officially it stands for 'Treble and Bass eXpander'), it artificially strangles the tone when it's at the centre detent so you *think* it adds bass and treble as you turn it away from there.
It somehow manages to go from dull to shrill without passing through good.
(It does actually work well with an active guitar, which is what it was designed for - the Elite Strat - why Fender then fitted it to passive ones, I have no idea. It's also possible to use it for different functions than it was designed for, where it can sometimes be useful.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The only time I found it to actually have any benefit was with darker, high output pickups like a Seymour Duncan Hot or Custom, etc. Having the TBX on 10 can add a slight bit of edge to darker strat pickups. Of course an EQ, treble boost, or altering your amp EQ a bit could do the same thing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The 1983/84 Elite and Standard series instruments did not sell in the quantities that Fender anticipated. This will have left them with a large stockpile of unused TBX dual-ganged pots to get rid of. Et voilà, the 1986 American Standard Stratocaster and 1987 Telecaster.
To be fair, the TBX is not the only tone-killer in those - the pickups are the other part of the problem. I removed the TBXs, which improved things, but they still weren't right, and I was beginning to believe the popular wisdom that the bridge was the cause, so I sold them. I had a USA Std Tele with the same issue and it was only after I replaced the pickups with a Duncan Broadcaster set that I realised it was the pickups all along... that guitar sounded absolutely fantastic.
I don't really know why they keep messing around with the tone controls - after the TBX it was the Delta Tone (no load), and now the Greasebucket... none of them sound right. Have they never wondered why vintage Strats are so highly sought after?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson