UNPLANNED DOWNTIME: 12th Oct 23:45
Angel Wing Harp Guitar - Major Redesign
Last year I posted an NGD regarding my 22-string Harp Guitar - made for me by Alan Miller.
https://thefretboard.co.uk/discussion/237377/ I found in playing that having the sub-bass strings ascending rather than the normal descending was counter-intuitive. I tried reversing them but this meant that that the deeper strings had a shorter scale length which limited the overall range.
I asked Alan if anything could be done and threw in a couple of ideas. The result is a completely redesigned "upper wing" with longer scale lengths for the descending sub-basses. Before and after photos are shown below:
All strings are nylon - with the super trebles going from e (same as guitar 1st string) to e (an octave higher) and the sub-basses d (a tone below the guitar 6th string) to d (an octave lower). This gives a really satisfying range with a lovely resonant sound - and much more intuitive to play.
Other additions were an arm rest and two bars on the top to improve the string break angles for the super trebles and sub basses. Needless to say, I'm delighted with it.
I'm currently enjoying getting to grips with it having fun with my own simple arrangement of Dvoraks New World symphony (the Hovis ad bit)
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I've never been too good with exercises and having a simple tune to mess around with and experiment ha helped greatly.
If anyone wants to witness the full potential of a harp guitar with sub-basses and super-trebles then it is worth looking up the videos on Jon's website https://www.jonpickard.co.uk/harp-guitar .
He also has a concert on in Taunton on Friday 9th June - details here https://www.creativeinnovationcentre.co.uk/live-music/classical-guitar-harp-guitar-concert-with-jonathan-pickard-fri-9th-jun/
Thanks for the links to the Jon Pickard site - now I know how they're played, and I've just enjoyed some wonderful music too.
Do you tune the bass and super-treble strings according to what you're playing (key), or are they always kept in a standard tuning?
There are various preferences for tuning of the sub-basses and super-trebles - dependant on what you are playing, the strings used and how many strings there are. You'll quickly find out that there is no such thing as a standard harp guitar.
However, for switching keys, the levers below the tuning machines allow for the raising of the pitch on each string by a semitone. Once I settle on the ranges that suit me (still experimenting with the super-trebles) I will leave them in a fixed tuning and just use the levers to change key.