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That tautness and crisp snap of the maple would match brilliantly with cedar, I reckon. I'd be doubtful of doing it in too small a body, maple needs to be a decent side to develop enough bass for my ear.
My cedar-top dreadnought is beautifully balanced. Queensland Maple is a gentler, more neutral-sounding timber than Rock Maple or European Maple, not so trebly, but not a million miles away sound-wise.
So I vote YES!
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Numbers don't tell the whole story @thomasross20 but they are not a bad place to start.
Here are a few of the better-known back and sides timbers with density, hardness, and modulus of elasticity (essentially stiffness) expressed as percentages, using Honduran Mahogany as the base unit.
* Port Orford Cedar 79% (65%) 113%
* Cedro (aka Spanish Cedar) 80% (66%) 91%
* Queensland Maple 95% (90%) 108%
* Honduran Mahogany 100% (100%) 100%
* Koa 103% (129%) 103%
* Blackwood 108% (129%) 147%
* Common Walnut 108% (135%) 107%
* Common Maple 109% (112%) 105%
* Rock Maple 119% (160%) 125%
* Indian Rosewood 141% (270%) 114%
As you can see, Queensland Maple is 5% lighter than mahogany, 10% less dense, and 8% stiffer. Obviously, timber varies a lot and average figures of this sort are indeed just averages. Let's simply say that Queensland Maple is a little softer and stiffer than mahogany. We know that the sound is more rounded and less dry, but not wildly different.
OK, what about maple? Well, maples ain't maples! There are many species. Rock Maple (US & Canada) is a bit heavier and a bit stiffer than mahogany, and much harder. As we know, it has a pronounced ring to it with a crisp top end.
As for Common Maple (aka European Maple) I don't know. what it sounds like! I've never played a guitar made from it, though I gather that it is a very well-established tonewood. (Old Antonio Stradivari seemed to think it was better than OK for making violins after all). On the numbers, it should be a bit like Rock Maple but more mellow.
All that said, all three fall into the medium-weight, medium-hardness, medium-strength class alongside the true mahoganies, a whole host of quasi-mahoganies (such as Khaya), and other popular back and sides woods like Koa, Blackwood, and walnut. As such, they are not wildly different to one another.
(And yes. Scratch a geek. I want one of each of them.)
(And a confession. I didn't have to look those figures up for this post, I have a spreadsheet full of them. Yes, don't tell me. I'll get my coat anorak.)
Absolutely rammed at work so need to catch up on all the chat
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Trying to finesse this. I'm not that competent on the bass so selling / getting rid of that and counting it "one out". Hope my marriage tackle survives
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I just had to apply a touch of finesse myself, for the same reason. Well, "finesse" isn't quite the right word, something a bit more in the brute force direction I think. With a view to avoiding wedding tackle damage over the little matter of my new Brook (ordering it the week after next), and needing to get an extra guitar out of the house ASAP, I just gave my USA-made Guild to my brother as a birthday present. He likes it and was going to buy it from me, one day, sort-of-probably, at a future date. Maybe. Now, it's out of the house and I can still wee without medical intervention.
Come to think of it, I never play my bass these days ....
Model: Pioneer A1-340C
Collection Pioneer
Shape Auditorium Cutaway
Scale Length 648mm
Soundboard Western Red Cedar (Thuja plicata)
Soundboard Edge Inlay None
Back & Sides Bigleaf Maple - Figured (Acer macrophyllum)
Bracing AXE pattern
Bindings Flamed Australian Blackwood
Purflings Luthiers choice
Rosette Wood Rosette as per reference pic
End Pin Wedge Flamed Australian Blackwood framed with Rosewood purfling
Neck Maple with Rosewood centre laminate
Fingerboard Ebony
Fingerboard Inlay None
Fretwire Standard
Nut & Saddle Ox bone
Truss Rod Bi-flex
Fingerboard Binding Ebony
Fretboard Side Dot Markers Mother-of-Pearl 3/5/7/9/12x2/15/17/19 Double dots on 12th Fret
Bridge Ebony
Bridge Pins Ebony with MOP Dot
Machineheads Gotoh SG381's with black buttons
No. of Frets 20
Headstock facing Ebony
Headstock Binding None
Heel Cap Flamed Australian Blackwood
Logo MOP
Finish Nitro-cellulose satin finish
Strings D’Addario EXP16's (.12 - .53's) VERY LOW ACTION
Electronics L R Baggs Anthem SL
Case Hiscox GAD
Pickguard Yes - clear
Strap Button Yes - position 2
(I'd better be careful before I end up in a care home....!)
I’ve three Avalons myself, so obviously a fan too.