UNPLANNED DOWNTIME: 12th Oct 23:45
What's Hot
I watch a lot of guitar stuff on Youtube, stuff from all sorts of genres, from jazz to flamenco and everything in between. It's all useful in different ways, even though (sometimes
especially though) I don't play those styles.
But even more useful, I often think, is all the stuff I watch teaching me how to play the "wrong" instrument.
Here is the inspirational Paul Thompson teaching bass - in this example electric bass, but he mainly teaches upright bass
Now I'm not a bass player (I used to be but that was 30 years ago) and I've never been an upright bass player, but I find Paul's videos really thought provoking. I watch something about playing (say) upright bass in a bebop context and find a few days later that it is giving me something new and exciting playing acoustic guitar in (say) a rock/folk context.
Piano lessons teach me all sorts of things about harmony and chord structures. (I haven't played piano since the 1960s as a child. Doesn't matter. I get good, usable ideas. That is the important thing.)
And so on.
So what are the "wrong instrument" lessons you find useful as a guitariast?
0 LOL 0 Wow! 0 Wisdom · Share on Twitter
Comments
Bass - movements below a chord progression
Strings - sweetened notes
Sax - breathing, swells, and breathing
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
and now I'm sizzling with interesting new ideas to try out.
https://youtu.be/X0O7GeSFVt8?feature=shared
Well I used to get the same sensation when singing, unaccompanied in a choir, when the two treble voices happen to hit that perfectly just interval, like a major 3rd or something, exactly 5/4 times apart in frequency. It’s like 1.2500001 or 1.2499999 just doesn’t cut it, but them suddenly you hit that 1.25 and a ray of pure sound is beamed directly into your brain so that it almost hurts and you want to stay in that moment for ever.
It’s great when you get that on the guitar. We should really play 12-tet to keep in tune with our frets, but it’s such a moment of magic when we hit a just interval.
Teaches phrasing so well.
For bass I use Trombone transcriptions. Close enough register and fun to play.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Also this video about violin GAS which helps put guitar GAS into perspective