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Kemper Stage, Quad Cortex and Tonex just capture one set of amp settings so arent modelling. I tried Tonex and turned down the amp drive and it sounds weird.
Ebay mark7777_1
HX Stomp - easiest to use, best size
QC - well desineD and gorgeous
Kemper - great amp sounds
I can only compare the two that I have. The Kemper (mine is a rack rather than a Stage) and the full-fat Helix.
When it comes to reproducing / emulating the sound, and feel, of a real amp mic’d up then the Kemper wins hands down in my book. I always record with my Kemper, never with the Helix. The reason that I have the Helix (which was bought after the Kemper), aside from uncontrolled GAS, is that it wins out in just about every other aspect. The Helix has more, and possibly better, effects. You can have dual amp paths, you can load IRs (which I use mostly for acoustic guitars sims live), switching seems to be a little bit faster and editing is way better (even though Kemper have improved their Editor in recent years). MIDI control is better on the Helix and you can also send and receive MIDI over USB which is more convenient.
Maybe also Headrush to the list? The new one they've just announced looks pretty good!
For some, the best would be the one that does everything you are after by taking the least out of your pocket. YMMV.
Feedback thread: https://www.thefretboard.co.uk/discussion/comment/3575378
Despite hating modellers I would use it on a pedal board for that reason alone.
Also it's not on the list but the Nux mighty plug is a modeller, sounds great straight into the PA at rehearsal or into a Bluetooth speaker for home jams ... it's more than just a practice tool and cost less than £60.
To me it sounds the best and It feels the best.
It's the most flexible, has the best switching (it's totally genius when you dig into it), the support and quantity and quality of updates is second to none, the desktop editor is superb, it's easy to use if you actually try and it's cheaper than a Klon Centaur - which when me and some fellow guitarists did some A/B testing going into the front end of a Two Rock Classic Reverb Sig (I made a patch with literally just the drive block), no one could tell which was which.
It's been sounding killer at gigs, I really like using it, I can get much more authentic sounds, closer to the bands we ape/cover and load in and setup is a cinch.
Like, not a lot to not like.
I've gradually been selling off my amps and cabinets. They feel archaic in comparison. Using the FM9 makes me feel like my imagination is the only limit.
I monitor with a Yamaha DXR10 MkII and I would recommend that to anyone. I'm going to get another for stereo shenanigans. Will sound epic.
But you really cannot go wrong with the FM3 / FM9 / Axe FX 3.
The main impediment to getting a good sound out of them is your ability to understand and tweak them more than the differences between the units.
That being the case unless you are more interested in identifying nuances between algorithms than making music I'd pick the one you like the workflow and approach of the most (For me Boss) and don't worry about it too much.
For personal playing pleasure I like a valve amp and probably always will in the same way that some people will prefer a horse to a car or vinyl to a FLAC file.
Headrush prime looks like it was designed by Fisher Price and is ugly beyond words. Helix is decent but the lack of capture tech means I’d wait until the new version.
Strymon Iridium sounds shite to my ears and I much prefer the Simplifier Deluxe.
DV Mark Multiamp - sounded great, easy to set up, very limited for live use, midi a pain to set up.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922