Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
OM isnt a great deal smaller accross the lower bout, but it is about 1cm+ shallower , and for me hugely more comfy but my issues are elbows over shoulder (tho I do suffer with both)
HOWEVER - sometimes going too far the other way, can actually be counter productive depending on "sitting position"
just because you do, doesn't mean you should.
I'd always had dreads. Happy as Larry with 'em. But in the last few months, I'd become aware of this nagging shoulder ache.
I couldn't practice, couldn't gig, then I started listening to some on here, in particular to @bertie aka Wilf's & Winnie's dad, and I p/e'd my Dove dread for a Martin OM-28, and I've never looked back. I'll be gigging tonight if the Lord permits.
My YouTube Channel
On a more serious level, good playing posture and mobilising the shoulder in between spells of doodling is a must.
Shoulder Mobility Exercises and Stretches with Pictures (healthline.com)
A smaller bodied guitar got me away from trying fixes. They never worked for me, or even if
they did it wouldn't last.
So I went for an OM-28. Lower bout not much less than a dread but, as @bertie there said the comfort given by reduced depth - well, you wouldn't believe it.
Don't slouch. Don't slump on the couch. Don't sit in an armchair. Sit on a kitchen chair or a stool. Much, much better for you. Not only is it good for your posture and your body, you play better.
It is probably a good idea to swap knees from time to time. Some people play in (roughly) the classical position using the left knee, others use the right knee. It is good for the body to alternate. (Do as I say, not as I do!)
It is probably also a good idea to stand some of the time, and to half-stand at other times (stand with one foot on a low stool, upper leg roughly horizontal, guita0r resting on that leg). The body loves variety.
As I get older, I find that I tend not to play the dreadnought first thing in the morning and am more selective about the time I spend playing the baritone (a huge jumbo with a very long scale - that one can be hard work if I'm not feeling limber) but I have never noticed any issue with body depth. A small(ish) body with an extra bit of depth to it (i.e., 00 or 000 shape but with dreadnought depth) just sounds so good!
I have to come to further conclusions about what I like (sorry for making this personal to my taste here!)... I do really like 12 fretters... largely for the way the arm does not have to stretch out so far. And a cutaway with a 12 fretter (assuming there is enough body to rest on the knee... which is why I now warm to Venetian cutaway) is a complete winner.
Scale length... I never took that into account AT ALL before. However...... My two 14-fretters are normal 25.5" scale length. My parlour is a 12 fret 24" scale length. I haven't tried the typical 24.75" but I think that would be the winner for me. 24" is so easy to play but that bit more "flappy" and the 25.5" is that tad more difficult to play but belts it out - so I think the middle ground would be good.
Upon first listen, 12 fret sounded much better to me. 14 is stiffer. BUT upon further listening, 14-fret brings out more harmonic content. I would still go for 12 fret owing to more natural arm position.
Scalloping. Braced gives so much more bass response but I stand by earlier comment that non-scalloped can strum harder and handle dropped tunings better, plus has a bit more "quack" (or satisfying "pluck"). Not sure which I prefer - my scalloped bracing guitar still needs to age.
I think then... my next ultimate guitar would have to be a 12-fret cutaway (again probably sitka spruce + mahogany as I like the sound), 24.75" scale length with Venetian cutaway and an OO size - which sits nicely between a parlour and an OM. I suspect such a thing would have to be a custom order.
Also I must say I wouldn't say no to revisiting a quality nylon string in future.
My YouTube Channel
My YouTube Channel
Definitely getting to learn more what I'm into as I play more. I'm intrigued with this Bhilwara wood which is meant to be a mix between rosewood & mahogany
My YouTube Channel