UNPLANNED DOWNTIME: 12th Oct 23:45
From the Quad Cortex back to the Kemper
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Long time Kemper user and recent QC user here, just thought I’d share my thoughts after using the QC for a year. I’ve been gigging regularly with the QC but recently traded it for a Kemper Rack and Remote.
First off, wow, I remember the Kemper sounding great but it really is a fantastic sounding thing. I use the M Britt profiles mainly and for me they sound better than anything in the QC. I’d sort of convinced myself the QC sounded bigger and better but that’s not actually the case, it’s possibly the opposite.
Secondly I’m a big effects user and Kemper also does this better. Reverbs and Delays are up there with the best in Kemper and this was my biggest issue with the QC. Delays especially were really bad, they were always too smeared in amongst the amp tone, as if they were ducking automatically.
Form factor and live use. This is very subjective but I didn’t like having the QC on the floor. We predominately play weddings and corporate functions and there’s no end of drunk idiots trying to grab microphones, spilling drinks and falling over our gear. It just makes more sense to have something racked out of harms way. I dread to think what a nightmare I was when attended these sort of things as a punter!
There’s also a few quality of life bonuses with the Kemper such as instant switching, instant tuner, the ability to load up the next song while still playing the older one, the ability to properly re-order songs and let’s not forget the editor (which to be fair is still a bit buggy on the Kemper).
I also think it’s still true the QC isn’t ready, the whole recent debacle over the promised plug-in support certainly pushed me over the edge, that was pretty unacceptable.
But ultimately to those thinking Kemper is past it and old tech, in many ways it’s a far more capable unit than the shiniest new thing and there’s something to be said for how well though out it is.
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Another time I was on a raised seating area of a pub and the punters were dancing lower down which seemed reasonably safe gear wise but some girl was dancing with her drink held by her head, tripped and dumped it over the singers pedalboard. They were all analog pedals so again survived.
There's some great sounds in the Kemper, I prefer it to the Helix and enjoy mucking around with it, a friend has all the modellers in his man cave but I still haven't found a situation to gig in that needs a modeller other than the tribute act I'm in and that's only down to space in the splitter van .. not for sound or size of stage issues.
They definitely don't cover as much ground as some of the main modellers but I suspect they primarily wanted to offer a solution for electric guitar and they are not bad in that respect.
Being able to record both the wet and DI tracks and easily reamp all done via SPDIF makes the Kemper a really a brilliant tool in the studio.
Feedback thread: https://www.thefretboard.co.uk/discussion/comment/3575378
in the end I was talked out of by a friend and I think I dodged a bullet love the Kemper and the Britt profiles and a few others they are some of the best amp sounds I have ever had .