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However if you want to use a bunch of different sounds/effects then they're a good starting point and some people find them easier to use.
I then got a Kraken preamp pedal and it's in a totally different league. I also much prefer there being a lot less to adjust than the option paralysis that can happen with modellers.
I've got the Caline ones and for around 35 quid they are worth a punt.
Does the kraken version do classic and heavy rock?
At home I use my HD PROX in the effects loop but it is overkill for what I actually play however I like the idea of creating a 4 channel amp (in effect) with great tones - I keep looking at the Jack for my own use.
In my experience sending any type of pre-amp/modeller into one still ends up sounding like a Marshall. Whereas a Fender style amp takes these very well.
Also how many amp different sounds do you need? Are you looking for "your" sound or a specific genre or do you need to cover all the basis, if the later then a modeling setup would be better otherwise go the analogue route.
I originally bought my preamp with ideas of a 4 channel amp with my Blackstar HT50, but mainly so I could just take the preamp for rehearsals to travel lighter. The HT50 is basically now a power amp for when I play at home and I'll probably end up selling it.
If you're going for a 4 channel setup then you really want very different voices compared to your current amp as far as the preamp goes - in my case the Kraken green and red is a vastly superior take on what Blackstar had aspirations of with the ISF British/American thing. The Jack might end up being simply a better version of your existing amp and it could be better going for something vastly different.
And this...
https://postimg.cc/LnxYsScj
is my current live rig as we go straight into the PA - Kraken preamp in 4cm with a Boss GT100 into a Mooer Radar IR pedal into the desk. Needless to say it also works perfectly for recording and silent practice too.
I can use the Boss for an acceptable pure clean tone on the one or two songs per set that need it and the preamp covers everything else. We do covers but we do them our way rather than trying to copy the originals exactly so I just go with my own sound. I tend to set up just 4 basic rhythm patches and a lead patch using EQ/OD/etc.
Your needs may vary but if anyone is looking for aa affordable lightweight tube setup straight to PA (or into the venue backline) then I can recommend this route of approach.
However if you're after drive sounds, why a pre-amp and not an overdrive or distortion (depending on what sort of drive sound you are after)?
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie