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You could always justify it by putting rounds on one and flats on the other… I would go with flats on the Jazz if you get one, but flats on the P if you get a Rick.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I will be keeping to flats on the P but a Jazz with flats could also be a nice addition. Not sure about the narrow necks though no I'm used to the chunky P. I did try a Ric 4003S in almost-dayglo red back in 2020 just before I ordered the MJT. I thought I liked it at the time but hadn't a clue what I was doing really. Now I'm actually halfway-competent I'd like to try one again.
Yeah I was actually pleasantly surprised at how much cheaper old basses are vs old guitars. A 60's Gibson EB2 for well under 5k?! You won't see change from double that for an ES335!
Or a Jaguar bass, just because they look ace.
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
Fender Urge 2.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Or the left-field answer - a fretless of some description.
Well worth noting that I'm not after proper Swiss army knife "HSS Strat/PRS DGT of basses", but just something different to a P that at least might be capable of doing a whole gig (or at least rehearsal) so that I actually have a good chance of using it outside the house!
In an ideal world of course I'd have one of everything I listed (and probably multiples with different strings), but we live in a world where I could probably buy more than one it might lead to divorce, not least because our spare room is already overflowing with stringed instruments...
I had one for years in sparkly blue.
It was very good indeed.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
I use one most of the time in my prog/space-rock jam project because with fuzz, octave, chorus and filter sweeps you can make it sound really synthy...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
A lot of Seventies and Eighties John McVie stuff is fretless but he doesn't overdo the glissandi. e.g. The Chain outro bass motif is fretless. Listen carefully to the first note and you can detect the slide from open E to A at the fifth position.
https://www.gear4music.com/Guitar-and-Bass/Epiphone-Jack-Casady-Bass-Metallic-Gold/19CP
I have a decent end of service payment from work so potentially happy to spend a decent bit to get something that could potentially stay with me forever. I'm honestly still tempted by that EB2 in Nashville, but the braz rosewood makes it a pain