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Also slightly worrying that there appears to be no mention in the listing that it's not original. I know it's obvious there is one from the pictures, but it strikes me as deceptive that a major modification like that is not explicitly mentioned.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I have several guitars featuring a sound port
One of them is a classical, and it's a little too large, sounds a bit boomy, but the maker provides an insert to reduce the surface area of the port
I tried a small Turnstone acoustic with a large hole, which sounded to bassy to me:
https://www.turnstoneguitar.co.uk/models
After doing some research, I found that the most convincing advice for an aftermarket port was to add an oval shaped hole about 3.5cm x 5cm. I've had this done to a few steel string acoustics, and it sounds great. The luthier took care to avoid cutting through any internal structural elements.
I've got a nylon with a 48mm nut which I'm ok with but I'd prefer it to be narrower. What are the playability issues with a narrow nut for nylon?
If I want to try anything £1000+, say, I have to take a two-hour road trip just to get to a good guitar store.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The sound port does look a bit big but could be tastefully blocked off (at a cost). Have you asked the seller about it?
Thanks for getting back to me. To be honest, I was surprised that such a major enchantment wasn't mentioned in the listing. Can I ask why you added it and what difference it made to the sound?
And got this response:
I thought I did. I will put it in. It doesn't change the sound. When you are playing acoustic it makes it a little louder for the player.
Seems unlikely he forgot to mention it. One to avoid I think. Shame, seems a decent price with the Lyric pickup and Hiscox case.
Personally I'd prefer one with a port
Take someone with you who is knowledgeable about acoustic guitars, who can verify the structural integrity of the instrument. After that, play it and see…
I found that out when I visited the classical guitar Centre in Birmingham, some of the “proper“ classical guitars were way better than I expected them to be as compared to an old Taylor 7-series nylon string that I used to have.
sure, the 2” nut felt weird, but all it takes is a few minutes playing on it and very quickly you’ll get used to it…
I’ve also found a steel-string with a neck width I wouldn’t normally like which is very comfortable for the same reason - it’s such a shallow dish that you can clearly see both sides of the fingerboard when you look at it from the back, the widest point is the edges of the fingerboard. I would never have expected this to be more comfortable than a traditional rounded/rolled profile until I actually tried it.
TLDR - the profile is more important than the width.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
After 2018, soft V, which I doubt you'd like.
I have a 1971 D12-35 already!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
It should also be pointed out that crossover guitars (including the Furch) generally have a radiused fretboard whereas classicals have a flat fretboard. This makes a big difference to the feel when playing.
I've got small hands / fingers and have never found any difficulty with full-size classicals - in fact, the wider fretboard helps avoid fingers accidently muting the the upper strings in some positions due to them being further apart. Neck profile can also help - but I've found that a slim profile doesn't always mean easier playing. More important to me is general technique and playing position.
Having said all that, the Furch is a very very good guitar if that is the sort of thing you are after - the best example that I've come across. The listing price seems very good, particularly when you consider the Hiscox case and pickup - even if some later luthier soundport work is needed.
Looking at the photo, it may actually be smaller than it appears due to close-up lens distortion.