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It is normal to use pitch correction in the edit.
It doesn’t make a great performance.
It can save an otherwise great performance with a couple of fixable issues.
They aren’t ‘toys’.
Sure, some don’t. Steve Albini comes to mind.
I need to be able to do the edit because who has time to do 1000 different takes?
Every producer engineer I know (out of hundreds) has them and uses them to varying degrees.
OP, there is nothing I recommend as external hardware.
I use Melodyne and Autotune for offline editing of performances.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
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@octatonic is absolutely right, everyone uses it, it is a tool. I use it all the time with singers of all levels. I would much rather correct one dodgy note in an amazing take then record 100s more until it's all absolutely perfect driving the life and sparks out of it in the process. It won't make a bad singer sound good ... just in tune ... ish ... there are limits.
Also find it really useful for "sketching out harmony lines" ... duplicating the lead vocal and playing with it to build an interesting, non-parallel harmony. Very useful having this as a guide recording it until it is burned into the brain.
External hardware, there are a few vocal processing units but they are expensive and don't give results as good as software ... they are useful live (I have a little boss unit in my trio where I'm the only singer to thicken the choruses with a quiet harmony). Software wise I've always liked Melodyne ... I'm coming round to variaudio built into Cubase too, its just as powerful and built into my DAW!
Melodyne is a great tool for showing singers precisely where they are out of tune too.
You can drill down quite deep and show elements of the waveform that are nailing the performance but not the pitch and they can have another go at it.
Great for guitar, piano etc too.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
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I went with (b), just manually correcting the pitch using Reaper's built-in plugins. Trivial, took about five minutes - and, at the time, I was learning Reaper at the same time.
If all you need to do is correct 5-10 bits here and here, then doing it manually is a totally reasonable approach.
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I've written stuff I can't play. I could either dedicate a year or two to improving my playing, or I can find a way around it. No-one seems to notice when I do the latter (most often using Kontakt into Helix).
There are other models without guitar inputs, and at least one which is more acoustic focussed.
Not all of us have the time to devote to perfecting their vocal chops and it's not really necessary if you're just demoing or need a quick and easy vocal chain to record.
This was done with mine:
https://on.soundcloud.com/hDxea
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Well Sir Paul has used it, apparently, so i guess you should be allowed to too
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Are you using software or just the Tascam?
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A classic example is Sheryl Crow's If It Makes You Happy where she goes noticeably flat in the word happy before it gets to pitch - if you autotuned it to perfection then you'd remove the soul from the track
I'd rather record my best takes, punching in if needed, and accept the odd imperfection here and there as long as it's not painful. If it's not right then it needs redone until it's naturally right. But everything else goes as far as vocal processing