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UNPLANNED DOWNTIME: 12th Oct 23:45

Best paying tribute gigs

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Inspired by @Danny1969 :)

Which tribute gig is the best earner? A tribute to an artist? An era? A genre? 
'Vot eva happened to the Transylvanian Tvist?'
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  • Danny1969Danny1969 Frets: 9752
    Well in my experience you need to be a tribute to a much loved quirky artist who have a dedicated fan base but doesn't play live anymore. Also someone who's difficult to copy. 

    I was completely new to the professional tribute scene until about 5 years ago. I was in a Thin Lizzy tribute for a few years but it wasn't a professional tribute act. Now I know how the scene works I fancy doing some more. 

    I have friends in Pink Floyd tributes, The Who, Fleetwood Mac, Thin Lizzy, Queen etc. They all get a good earn out of it but the big money is in selling a lot of tickets for the London venues. If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    www.2020studios.co.uk 
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  • Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
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  • robertyroberty Frets: 10231
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    You could play at the annual British Dentist Association conference

    I was in a Smiths tribute when I was very young and we make a packet. We learnt 53 of their songs in all. It taught me an awful lot about songwriting and chord relationships
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  • roberty said:
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    I was in a Smiths tribute when I was very young and we make a packet. We learnt 53 of their songs in all. It taught me an awful lot about songwriting and chord relationships
    Some lovely guitar parts to play in there I’m sure.

    I rehearsed once with a local Oasis tribute band who needed a Bonehead . I couldn’t go through with it after the rehearsal as it would have driven me mad just playing those parts. It’s lovely playing with a band and all but that just wasn’t exciting - now a blur tribute band , that would be a stretch and lots of fun 
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  • munckeemunckee Frets: 11457
    I've seen some great tribute bands, smiths, stone roses, foo fighters, red hot chilli peppers, the jam, pink floyd etc.  I would say they don't have to have stopped playing, I would rather watch a group of 20/30 somethings play the stones than the actual stones considering the cost difference and the fact they have people to mostly play for them anyway.  
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  • Does 'tribute' and 'decent pay' necessarily require wigs and costumes etc?
    'Vot eva happened to the Transylvanian Tvist?'
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  • EricTheWearyEricTheWeary Frets: 15603
    Based on quantity: Queen, Oasis, Madness.
     Obviously there are some very successful tribute acts like Australian Pink Floyd and Bjorn Again but those are full time pro acts with a lot of investment in their shows, not four blokes down the pub level. 
    I still get emails from the agency I was with and if I was going to try to put something together that got paid club level gigs probably some kind of Pop Princess thing covering Madonna and Lady Gaga,etc, although if I could find a singer who could make a reasonable fist of all that she probably  wouldn’t want a fat old bloke on guitar. 
    Does 'tribute' and 'decent pay' necessarily require wigs and costumes etc?

    When. I was doing my ska/2tone band there was another local band doing basically the same set but getting paid three times as much. I eventually saw them and they were surprisingly poor at playing songs I knew inside and out. However, lots of dressing up and funny hats. And I saw a Queen tribute around the same time going down a storm to several hundred people and they were quite poor but had the wigs,etc. 
    So, probably yes. 
    I’ll handle this Violet, you take your three hour break. 
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  • mrkbmrkb Frets: 5594
    Axl rose made millions touring with a GnR tribute act until slash and duff rejoined.
    Karma......
    Ebay mark7777_1
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  • mrkb said:
    Axl rose made millions touring with a GnR tribute act until slash and duff rejoined.
    WizLOL needed.
    Trading feedback | How to embed images using Imgur

    As for "when am I ready?"  You'll never be ready.  It works in reverse, you become ready by doing it.  - pmbomb


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  • Ive been Noel in quite a few top oasis tributes. £250 a man plus expenses is about normal
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  • mudslide73mudslide73 Frets: 2921
    I've seen a few really poor tributes that relied on the wigs etc. One Free/Badco tribute were awfully bad but the singer looked like a little, chubby Paul Rodgers. They're much easier to promote than a standard cover band, too. I'm forever being asked what material we play but tributes do what it says on the tin. A normal cover band would have to be really well known to pre-sell tickets.
    "A city star won’t shine too far"


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  • JalapenoJalapeno Frets: 6284
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    The Illegal Eagles sell out all over the place, and they're excellent

    Imagine something sharp and witty here ......

    Feedback
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  • KebabkidKebabkid Frets: 3178
    edited January 2023
    Jalapeno said:
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 

    The Illegal Eagles sell out all over the place, and they're excellent

    I saw the Illegal Eagles before Christmas and the theatre was packed and they were excellent.

    The Classic Rock Show (with Pete Thorn and one of our own from here) play decent venues e.g. Wigmore Hall and tickets are £30+ and it's a great evening and a pro show.

    Some of the Steely Dan bands knocking around play good venues and sell out as does my mate's AOR & Power Ballads tribute (think Rock of Ages musical) - they're about to embark on a 19 date tour of theatres in Spring with tickets at £18-20+ a pop
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  • westwest Frets: 974
    sorry no money in steely dan tributes ... ask me how i know ;) 
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  • DannyPDannyP Frets: 1521
    west said:
    sorry no money in steely dan tributes ... ask me how i know ;) 
    Plus it's Dirty Work
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  • westwest Frets: 974
    plus you never do it without the fez on .....
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  • Danny1969Danny1969 Frets: 9752
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    Ha ha ..... I'm the last person you would see play a PRS. For all the dates so far since lockdown  I've used 2 different partscaster's worth less than £400 combined and a Pod Go. 
    I'm not a believer in using expensive guitars when a well set up cheap guitar will so the job perfectly well. 

    Going forward I would like to go into something hair metal, like a Van halen trib or maybe a Dire Straits tribute ... Getting the front man for the Van Halen tribute would be tricky though !
    www.2020studios.co.uk 
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  • robertyroberty Frets: 10231
    roberty said:
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    I was in a Smiths tribute when I was very young and we make a packet. We learnt 53 of their songs in all. It taught me an awful lot about songwriting and chord relationships
    Some lovely guitar parts to play in there I’m sure.

    I rehearsed once with a local Oasis tribute band who needed a Bonehead . I couldn’t go through with it after the rehearsal as it would have driven me mad just playing those parts. It’s lovely playing with a band and all but that just wasn’t exciting - now a blur tribute band , that would be a stretch and lots of fun 
    Coxon's guitar parts are more bonkers than I remember when I listen back now, but also very expressive and appropriate

    His autobiography is a good listen (and probably read as well)
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  • robertyroberty Frets: 10231
    west said:
    sorry no money in steely dan tributes ... ask me how i know ;) 
    Lukather cut his teeth on Steely Dan covers. I'd like to study it
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  • robertyroberty Frets: 10231
    It's funny because certain members of our tribute band started taking themselves quite seriously when we got going. In particular the one member who was the least musically gifted. He ended up robbing some money off us. I'm not bitter

    This documentary is supposed to be good, I remember hearing about it but not being able to find it, but it's on YouTube now. I was told that they gradually take themselves more seriously, with hilarious consequences


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  • roberty said:
    west said:
    sorry no money in steely dan tributes ... ask me how i know ;) 
    Lukather cut his teeth on Steely Dan covers. I'd like to study it
    I'm not surprised, they tripped me up as well
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  • westwest Frets: 974
    roberty said:
    west said:
    sorry no money in steely dan tributes ... ask me how i know ;) 
    Lukather cut his teeth on Steely Dan covers. I'd like to study it

    thats the rewarding part , its all down hill after that .....
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  • fastonebazfastonebaz Frets: 3775
    I was in a Pink tribute for a couple of years. Not professional by any stretch just pubs mainly. Pay was slightly better than classic rock band gig but not by much. It was easier to get bookings though as its so easily defined.  
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  • BodBod Frets: 1206
    roberty said:
    roberty said:
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    I was in a Smiths tribute when I was very young and we make a packet. We learnt 53 of their songs in all. It taught me an awful lot about songwriting and chord relationships
    Some lovely guitar parts to play in there I’m sure.

    I rehearsed once with a local Oasis tribute band who needed a Bonehead . I couldn’t go through with it after the rehearsal as it would have driven me mad just playing those parts. It’s lovely playing with a band and all but that just wasn’t exciting - now a blur tribute band , that would be a stretch and lots of fun 
    Coxon's guitar parts are more bonkers than I remember when I listen back now, but also very expressive and appropriate

    His autobiography is a good listen (and probably read as well)
    Does he narrate the audiobook?  I mean, I adore Graham, but that's quite a challenge if so.
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  • robertyroberty Frets: 10231
    Bod said:
    roberty said:
    roberty said:
    Danny1969 said:
    If you can do 600 tickets at £18 a pop then you are on decent money even after paying for the venue, tech, PRS and agent fees. 
    Surely that would only apply if you were in a John Mayer or a Carlos Santana tribute band ?
    I was in a Smiths tribute when I was very young and we make a packet. We learnt 53 of their songs in all. It taught me an awful lot about songwriting and chord relationships
    Some lovely guitar parts to play in there I’m sure.

    I rehearsed once with a local Oasis tribute band who needed a Bonehead . I couldn’t go through with it after the rehearsal as it would have driven me mad just playing those parts. It’s lovely playing with a band and all but that just wasn’t exciting - now a blur tribute band , that would be a stretch and lots of fun 
    Coxon's guitar parts are more bonkers than I remember when I listen back now, but also very expressive and appropriate

    His autobiography is a good listen (and probably read as well)
    Does he narrate the audiobook?  I mean, I adore Graham, but that's quite a challenge if so.
    Lol yeah, he is quite dispassionate. It is relaxing though
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  • KebabkidKebabkid Frets: 3178
    edited January 2023
    west said:
    sorry no money in steely dan tributes ... ask me how i know  
    Not from what I see and know (I have some mates in some) - there are 3 that I know of that are doing ok, especially two of them. Yep, they are large bands and there's many to pay but if you get into the decent venues e..g. central London Pizza Express gigs, Jazz Cafe and theatres, they do well

    A friend's Kiss tribute band was going for over 25 years and played in both the UK and Europe and even got to play a 10,000 seater in Japan with The Bootleg Beatles and a Queen tribute.
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  • Theres a reason theres so many of certain bands but sometimes its just fun to start one and see where it goes. We had a Tom Petty on a few years ago and couldnt buy a gig. Now theres quite a few doing well. We set up a Shed 7 one last year which seems to be going well, more festivals though than clubs for decent money (north of a grand) 
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  • I've thought for a while whether tributes for bands like Libertines, Strokes et al from 20 years ago would do well but I'm not sure there's enough people of that age who would actually attend the kinds of venues where they'd need to play. A vested interest as my voice range is quite similar to Pete Doherty's was haha but still. Doesn't look to me like the tribute band world has really progressed past the 90s yet
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  • I've thought for a while whether tributes for bands like Libertines, Strokes et al from 20 years ago would do well but I'm not sure there's enough people of that age who would actually attend the kinds of venues where they'd need to play. A vested interest as my voice range is quite similar to Pete Doherty's was haha but still. Doesn't look to me like the tribute band world has really progressed past the 90s yet
    Theres a demand on the summer tribute festivals.  A good libertines one would walk straight onto most.  We are currently putting together a strokes one. Same line up as Shed 7 one.

     What youll notice is most tributes are usually tributes to a number of bands. (Oasish, are also the phonics etc) so when gigging you can have  multi band line ups but just one band and costume changes 
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  • westwest Frets: 974
    Kebabkid said:
    west said:
    sorry no money in steely dan tributes ... ask me how i know  
    Not from what I see and know (I have some mates in some) - there are 3 that I know of that are doing ok, especially two of them. Yep, they are large bands and there's many to pay but if you get into the decent venues e..g. central London Pizza Express gigs, Jazz Cafe and theatres, they do well


    What are their names , where do they live , how much do they get ££ ?? How often do they gig .... ? show me the money !  lol ;)

    it was 15 years ago for me when i did it  "the danny steel orchestra "  friendly rivals where nearly dan ( gary / rob rolf etc ) still going  ... i could regale you with tales of £20 / £25 a gig we did a couple arts centres maybe £35 squid for a 11 piece band ....  and folks asking why you didnt play "all around my hat " 
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