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Yes, Tom Quayle's precision timing with Legato is unbelievable, personally, apart from timing, the other problem I have with my Legato is the higher volume of the picked note compared with non-picked notes. I started to use all fingers for picking to try and compensate for these discrepancies in note volume. Using a pick was a complete failure for me.
I'm not sure of the balance between a 'pull-off' technique and a 'hammers' technique when descending.
I know that Allan Holdsworth and Marshall Harrison are proponents of the 'hammers only' approach.
I can't be sure, but it appears that Tom Quayle, Brett Garsed, Allen Hinds etc might be doing a mixture of a 'pull-offs' and a 'hammers' technique when descending.
There's also the issue of leaving fingers 'planted' (or not) on the fretboard, when playing notes with other fingers.
Perhaps we need the equivalent of Troy Grady; to do for legato, what he did for picking
Which reminds me that Rick Graham did a neat demonstration of the 'hammers only' approach a few years ago
https://www.youtube.com/watch?v=PgG73WnXxnE
https://youtu.be/2fcnpwZSXIA
link op.
Yes very tricky.
...And Brett Garsed uses his middle, ring and pinkie