Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Gibson J200’s Which Ones Are Great? Which Aren’t? - Acoustics Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

Gibson J200’s Which Ones Are Great? Which Aren’t?

tele69tele69 Frets: 197
edited December 2022 in Acoustics
I fancy one, I have for years... which ones are great? Which one’s do you avoid?
thanks guys!
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  • Like you I had never owned one but always fancied one so bought a standard US J200 about 15 years ago.  I have to say that I was underwhelmed and found the body shape/size just too big, even on a strap. 

    Soundwise it was quite loud but, to my ears, a little on the brittle side.  Also not enough bass response. I ended up selling it.

    However, I recently watched a clip on Utube from Andertons comparing the various Epiphone by Gibson range of acoustics and was very impressed with the Hummingbird and the J200.  I think the 2 guys doing to test concluded that the J200 was definitely the best of the bunch with the Hummingbird a close second.  This range from Epiphone are all solid woods and stupidly good value for money.  At around £700 for either of these 2 models new you get a huge amount of guitar for your money although there is no case or gig bag.  They seem to hold their value used and sell for around £500 (ish) so also a great option.  I narrowly missed a mint Hummingbird for sale recently for £400 with an epi hard case!

    I would definitely be happy to invest in the J200 if one came up used.  This is, I think, the aforementioned video and there are quite a few on Utube as well:

    #


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  • Sorry, wrong video clip!!  Hopefully this one is the right one:


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  • CryptidCryptid Frets: 405
    They're not particularly loud guitars (if you want a really loud and projecting maple jumbo go for a Guild JF-30).

    Many find SJ-200's dead - dry and unresponsive with little sustain. All the things that make them the perfect rhythm / strumming guitar for recording and live use IMO. They tend to come alive with a firmer touch, and 'go to sleep' if they've not been played for a while. Mine is more sensitive to humidity changes affecting the tone than any other acoustic I've owned. 

    They don't have the bass boom of dreads, but a good one with a sensible action sounds huge and balanced when strummed with dry woody mids, perfect for vocal accompaniment. None of the ones I've played sound particularly good with single note runs tbh - a bit brittle and thin. 

    My advice would be to go for one that's been played in for a good few years. If you're not bothered by the complete bling of the standard model, have a look for a J-100 XT, J-150 or a 2009-2012 SJ-200 Studio (before they started using walnut/rosewood and a shallower body depth). 

    The maple SJ-200 Studio seems to be the best value used considering it's essentially the same guitar as a standard, but with plainer aesthetics. It's the model I have.
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  • ICBMICBM Frets: 69426
    The only way to tell a great J-200 from a bad one is to play them - the same as with any Gibson acoustic. Two identical models can vary as much as that.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • MellishMellish Frets: 945
    edited December 2022
    There's no way to give an answer.

    Two Studio, two Standard J-200,  two SJ-200 - it makes no difference. They won't both sound the same cos they can't. Each one is unique in that way.

    All you can do is try 'em, as @ICBM there says, and make up your own mind. 



     
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  • ICBMICBM Frets: 69426
    Mellish said:

    Two Studio, two Standard J-200, two, two SJ-200 - it makes no difference. They won't both sound the same cos they can't. Each one is unique in that way.
    Even more so with Gibson than any other make I can think of. It's not just 'poor QC', I don't really know what it is, they're just hugely variable.

    I once worked for a shop which ordered two new J-45s from Gibson, and when they arrived they had nearly consecutive serial numbers. One was great and one was a dog! The dog was badly set up too, but sorting that didn't make it sound good. My guess was that whoever was responsible for doing the set-up at Gibson realised as soon as they played it that nothing was going to help, so just didn't bother.

    Someone bought it anyway...

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • Dave_McDave_Mc Frets: 2022
    ICBM said:
    The only way to tell a great J-200 from a bad one is to play them - the same as with any Gibson acoustic. Two identical models can vary as much as that.
    Yeah. I haven't tried that many, but I've tried enough. I've probably said this before, but one of my favourite acoustic guitars I tried was a J-45... I then tried another one in a different shop and it was very middling indeed. I'd probably have rather had a £300 Faith!

    Not super-helpful here in Northern Ireland where you're lucky if the shop has one of the thing you're looking for (in fact I don't think we have any Gibson dealers here any more)...

    (I haven't tried any J-200s.)
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  • MellishMellish Frets: 945
    @ICBM said "Someone bought it anyway..."

    Oh they do. I've seen some real shockers that have still found homes :) 
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  • The Epi IBG range are stupid good. I have a J200 and a Hummingbird and I wouldn't bother with a Gibbo.
    'Vot eva happened to the Transylvanian Tvist?'
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  • dallcorpdallcorp Frets: 138
    Try one the True Vintage J200s if you can find one?
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