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My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
https://www.thefretboard.co.uk/discussion/227138/nagd-vintage-v300mh/p1
Caveat: I know nothing about them, I just recently stumbled across them on YouTube.
I pulled an inverse Brian May manoeuvre. I bought the guitar and started a PhD at the same time, but my research career took off almost immediately and so for the past ~25 years the guitar was sitting in a corner in every house, every country and every continent I've worked in. And now I can finally play, I'm getting 25 year-old buyer's remorse. Mental, I know.
Jon
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
I would definitely try some smaller bodied guitars before you buy, not all are made or sound equal and can vary massively in tone. You may not like what you hear so dont play just one
just because you do, doesn't mean you should.
It was worth going in store to try a few as I'd been interested in the Gretsch for a long time - in the end I played various acoustics and came away with a Yamaha.
just because you do, doesn't mean you should.
Details in this review thread I did a short while after purchase.
Even a broken clock...
even that went over my head
just because you do, doesn't mean you should.
Martin can make an 0 size guitar sound huge and sweet. I like old ladder braced catalog ones as the (can) be loud due to their lightness and construction and are generally cheap
in my opinion, a modern shop-bought, cheap small guitar is likely to sound only boxy and lacking in bass and volume.
I'll probably be shot down in flames and banished to Hades for eternity for just whispering HB in a thread about top-end acoustics but @champ222 , you're treading the path I walked early this year and so, purely for completeness and possibly to save yourself a few hundred squiddlies for Christmas then perhaps you might wish to contemplate, with an open mind, one of these:
https://harleybenton.com/product/gs-travel-e-spruce/
I now hardly ever play my Tanglewood Dreadnought because I play the HB GS almost every day ... sometimes for up to 2 hours. It has transformed my view of small acoustics and enabled me to learn better, quicker and with less pain in my arthritic fretting hand.
It has worked SO well for me ... it may also work for you.
I can take the ridicule ... pachyderms R us
BTW it sounds really good through an amp
Then there's the comfort. Increasingly important as you get older!
imho, every acoustic player should have a smaller, cheap, fun acoustic to doodle on, in comfort, and without fear of dinging it. Why not? Basically. :-)
I like it but understand that not everyone will feel the same way. In fact, I was in PMT in Cardiff yesterday and wanted to try out something a little more expensive but in a similar size (maybe a PRS SE20) but couldn't see anything on display that caught my eye.