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I've used all those too, have the Corey Wong Neural DSP and just trialed the Tone King. IMO the secret sauce which will improve *any* of those, assuming you are not already doing so, is to use decent cab IRs in place of the CAB sims provided. Still not quite 'amp in the room' quality/feel, but a huge improvement nonetheless.
They are ok, just different to Native. My main complaint with the Neural stuff is that it's kind of over-done. The drive / saturation / bombastic nature of the stuff is excessive.
Sounds amazing for playing alone for fun, and really quite bad for recording without massive tweaking.
As a comparison the Helix "Waters from Hell" preset sounds quite dull and lifeless when playing alone. But in a mix, and with the guitar properly double tracked * it sounds amazing. Jeff Waters designed that patch and said it was something he records with a lot.
It's almost like that patch was designed by a pro for a pro and not designed by the marketing dept to appeal to bedroom players.
The other issue is that if you buy all the Neural stuff it costs way more than Native or other wide ranging software.
Most of the time I use Native or my physical Helix - now that the cabs have been updated I'm not really using separate IRs anymore. The recent update is a massive improvement.
* = actually recording it twice. Not the entirely different cut and paste routine that so many people think is double tracking these days. It isn't. It's the tiny differences in takes that makes it huge. Cut and paste just makes it louder. Cut & Paste & a little bit of time delay just gives it all a uniformly shit out of time feel.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator