Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). String Spacing - Acoustics Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

String Spacing

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I bought a Sigma GA a few months back and it has become my regular guitar now. The body is still a bit bigger than I'd like but the neck and fingerboard are very comfortable. I have also mentioned my Harley Benton cheapo folk sized guitar with which I am not very impressed with and dont really get on with at all. I used to use my Squier jumbo as my daily player before the Sigma and felt it was very comfortable at the time. Well today I got both the HB out and the Squier and found that the reason I probably hate the HB more than anything is the string spacing,or lack of. I have small fingers but they are a little on the broad side,not sausage like but slightly wider than normal. My Squier also felt a bit narrower despite its neck being comfortable enough. I offloaded a Yamaha 3/4 sized about a year ago as I too felt the string spacing was too narrow. Is this something that others have noticed and does it matter or affect you personally?
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  • dazzer22dazzer22 Frets: 40
    edited October 2022
    String spacing shouldn't matter i would say it's probably best not even to think about it,  i have big hands and i have some of the narrowest string spacing on some of my guitars and they play and sound great,  you should be able to get use to playing just about anything , I used to stay away from slim necks on guitars because i have big hands but now some of my best guitars i own  have slim necks and i love them, 
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  • TanninTannin Frets: 4394
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
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  • I gotta say that I'm not particularly sensitive to this but when the string spacing is very narrow (I had a sigma that was very narrow) it's hard to gert used to and requires a lot more accuracy in finger placement.

    What I have found makes quite a difference for me is the fretboard radius. My L'arriveee is quite flat and it takes a few minutes to get used to it although the nut width is 43 - 44mm just ike most of my other guitars.
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  • TanninTannin Frets: 4394
    Good point @TheMadMick. I didn't think to mention fretboard radius because I never notice it. But is that because I don't notice when it's different? Or because all the guitars I own or borrow have around about the standard radius? 
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  • bertiebertie Frets: 12145
    edited October 2022
    I gotta say that I'm not particularly sensitive to this but when the string spacing is very narrow (I had a sigma that was very narrow) it's hard to gert used to and requires a lot more accuracy in finger placement.

     
    this,  very much   - takes some "concentration"  to get the "muscle memory" back in
    just because you don't, doesn't mean you can't
     just because you do, doesn't mean you should.
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  • I find it amazing that anybody reckons they can even tell the difference between 43 and 44mm nuts without measuring it, let alone finding 43mm "cramped" when they're used to 44.  It's 0.2mm difference between each string FFS!
    Perhaps I'm just one of the lucky people who can't feel the pea under the mattresses.
    OK, a 12-string feels noticeably wider to play (and presumably a classical 6-string, but I don't think I've ever played one), but 43 vs 44mm?
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  • SoupmanSoupman Frets: 172
    You don't need to measure it - it's why some people feel (e.g.) Yamaha's cramped. And yes, 2mm makes a big difference to playability.
    If you don't notice the difference (or cope with it easily) then that's great, it gives you a wider range of instruments to peruse.
    Personally I'm more comfy with 45mm nut. Each to their own.
      =)
     

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  • Don't get me wrong @Soupman I didn't intend to imply that anybody who says they can tell the difference is wrong. I'm just genuinely amazed that people can notice such a small difference as 43 vs 44mm nut.  I'm happy that I don't care (or even notice in a lot of cases) - makes things easier for me :)
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  • TanninTannin Frets: 4394
    That's a big difference, @DartmoorHedgehog and instantly apparent. Half a millimetre is quite noticeable - My Guild (44.5mm) feels and is quite different to my 44.1mm Matons. Could I tell it blindfold? Easily. Can I tell the difference between the Matons (44.1mm) and the Cole Clark (44.0mm)? No. But 44.5 is clearly wider than 44. 

    As for 43mm nuts, yes I can play them, but they feel cramped and unpleasant. I can't imagine ever buying one. (I don't much like 44mm if it comes to that, but I've learned to live with it.) 

    I play cleaner and better on a nice roomy fretboard. On narrow ones, I struggle to form some chords, especially at speed,  and end up with nasty buzzes and unintended string mutings. 

    Given a choice, I'll go for 46mm (a very popular width in Europe) but I'm equally happy with 48mm and don't mind 50mm. 52mm (the wider of the two standard classical widths) I find a bit of a stretch but I can manage. Going the other way I can live with 44mm and quite like it sometimes, but anything under 43mm is the torture zone. I don't go there. 

    On the other hand, I'm not particularly sensitive to various other things. For example, neck profile. Anything vaguely normal (i.e., not crazy-thin and not a baseball bat) is fine by me. I might not even notice the difference! But I know players (including plenty of Fretboarders) who reckon it's a hot-button issue. 

    BTW, that neck width thing - it becomes less significant as you move up the fretboard. If you seldom play further down the neck than  (say) the 4th or 5th fret, then it probably won't be something you notice. If you play a lot of single and two-note lead lines, again it's not so important. It's when you play down at the pointy end and use all the strings (picking notes out, not just strumming which is non-demanding because no-one notices if a string is muted when it shouldn't be) that it tends to matter more. What about hand size? Well yes, like @guitarjack66 I have fairly large hands. On the other (ahem) hand, I've seem blokes with palms like soup plates happily playing mandolins,  and little children doing better than OK on guitars far too big for them. So I don't know that hand size is all that important.

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  • SoupmanSoupman Frets: 172
    @DartmoorHedgehog ; maybe you don't play as many cowboy chords as me! Lol  =)
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  • DartmoorHedgehogDartmoorHedgehog Frets: 784
    edited October 2022
    Tannin said:
    That's a big difference, @DartmoorHedgehog and instantly apparent. Half a millimetre is quite noticeable - My Guild (44.5mm) feels and is quite different to my 44.1mm Matons. Could I tell it blindfold? Easily. Can I tell the difference between the Matons (44.1mm) and the Cole Clark (44.0mm)? No. But 44.5 is clearly wider than 44. .

    Again, I'm not in any way calling you wrong when you say you can feel that difference and have a preference.  But honestly, if you gave ME two guitars with 1mm difference in nut width I don't reckon I could tell the difference - and I'm certain I couldn't notice a 0.5mm difference. And I'm kind of pleased about that - I reckon it would drive me mad!

    EDIT: Regarding hand size/shape, I do have quite long skinny fingers, so perhaps that helps.
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  • Soupman said:
    @DartmoorHedgehog ; maybe you don't play as many cowboy chords as me! Lol  =)
    Oh, plenty of those :)
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  • TanninTannin Frets: 4394
    Cheers @DartmoorHedgehog -and I'll make a little bet  - there is something which you notice straight away and are hot button on that I am completely oblivious to. It could be any of two dozen things, but my theory is that everybody is fussy about some damn thing.  

    PS: if your answer is really and truly "no I like everything", then do you have a sister and is she married?

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  • DartmoorHedgehogDartmoorHedgehog Frets: 784
    edited October 2022
    Tannin said:
    Cheers @DartmoorHedgehog -and I'll make a little bet  - there is something which you notice straight away and are hot button on that I am completely oblivious to. It could be any of two dozen things, but my theory is that everybody is fussy about some damn thing.  

    PS: if your answer is really and truly "no I like everything", then do you have a sister and is she married?

    I'm not sure what annoys me guitar-wise. I've got a few guitars (electric and acoustic), all quite different - thin necks, thick necks, various widths, different body styles, and happily swap between them. What I'm probably most used to (because I play it more) is a Gibson Melody Maker Special, so 24 3/4" scale and apparently 1 11/16" nut width (so just under 43mm). My 6-string acoustic is a parlour style with (I think) 44mm nut, so I swap between those two most often. Obviously there are lots of differences in feel between playing a solid electric with 10s and an acoustic (even a small-bodied one) with 12s, but I honestly don't think I notice the difference in nut width.  It would be interesting to try it as a direct comparison between two more similar guitars though - perhaps when I'm next out at a gig with my acoustic I'll see if I can play somebody else's with a different width nut back to back with mine and see if I prove myself wrong.

    Oh, yes I have and yes she is

    EDIT: There is something I don't like - necks with very "square" profiles - mostly on ones I've made myself and not carved round enough, but some commercially made necks are a bit that way. That feels horrible.
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  • bertiebertie Frets: 12145
    edited October 2022
    Don't get me wrong @Soupman I didn't intend to imply that anybody who says they can tell the difference is wrong. I'm just genuinely amazed that people can notice such a small difference as 43 vs 44mm nut.  I'm happy that I don't care (or even notice in a lot of cases) - makes things easier for me
    in a completely identical neck profile and string spacing at the nut,  it would be marginal  -  but I can certainly tell the difference between my "main"  3   which are 43 (C), 43(soft V) and 44 (flat C)  - the string spacing is 1mm narrower on the 43 C  - and you really notice it when coming from either of the other two  - not so much between the 43 V and 44 flat C !!
    just because you don't, doesn't mean you can't
     just because you do, doesn't mean you should.
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  • bertie said:

    in a completely identical neck profile and string spacing at the nut,  it would be marginal  -  but I can certainly tell the difference between my "main"  3   which are 43 (C), 43(soft V) and 44 (flat C)  - the string spacing is 1mm narrower on the 43 C  - and you really notice it when coming from either of the other two  - not so much between the 43 V and 44 flat C !!
    I think I need to do some experimenting to prove to myself whether what I'm calling "can't tell" is actually more "don't care". Either way small variations don't matter to me, but I'm convinced I couldn't tell 43 and 44mm nuts apart. Perhaps I can but I'm just ignoring it - got me intrigued now.
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  • Tannin said:
    That's a big difference, @DartmoorHedgehog and instantly apparent. Half a millimetre is quite noticeable - My Guild (44.5mm) feels and is quite different to my 44.1mm Matons. Could I tell it blindfold? Easily. Can I tell the difference between the Matons (44.1mm) and the Cole Clark (44.0mm)? No. But 44.5 is clearly wider than 44. 

    As for 43mm nuts, yes I can play them, but they feel cramped and unpleasant. I can't imagine ever buying one. (I don't much like 44mm if it comes to that, but I've learned to live with it.) 

    I play cleaner and better on a nice roomy fretboard. On narrow ones, I struggle to form some chords, especially at speed,  and end up with nasty buzzes and unintended string mutings. 

    Given a choice, I'll go for 46mm (a very popular width in Europe) but I'm equally happy with 48mm and don't mind 50mm. 52mm (the wider of the two standard classical widths) I find a bit of a stretch but I can manage. Going the other way I can live with 44mm and quite like it sometimes, but anything under 43mm is the torture zone. I don't go there. 

    On the other hand, I'm not particularly sensitive to various other things. For example, neck profile. Anything vaguely normal (i.e., not crazy-thin and not a baseball bat) is fine by me. I might not even notice the difference! But I know players (including plenty of Fretboarders) who reckon it's a hot-button issue. 

    BTW, that neck width thing - it becomes less significant as you move up the fretboard. If you seldom play further down the neck than  (say) the 4th or 5th fret, then it probably won't be something you notice. If you play a lot of single and two-note lead lines, again it's not so important. It's when you play down at the pointy end and use all the strings (picking notes out, not just strumming which is non-demanding because no-one notices if a string is muted when it shouldn't be) that it tends to matter more. What about hand size? Well yes, like @guitarjack66 I have fairly large hands. On the other (ahem) hand, I've seem blokes with palms like soup plates happily playing mandolins,  and little children doing better than OK on guitars far too big for them. So I don't know that hand size is all that important.

    Just to clarify,I have smallish to average fingers but the pads seem to be a bit stubby as are my fingers in general.
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  • Tannin said:
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
    I was referring to the more standard string spacing as the OP didn't give any measurements, I think the OP is having more trouble with his guitar technique as he blames his large finger ends, i am not saying people don't have preferences on what they like and don't but i don't see string spacing as a limitation, If he is having trouble playing his guitar on one of the standard string spacing or nut widths  then i have to question his playing ability first , Maybe i am the only one but i have never worried about string spacing or nut width when buying a guitar.
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  • ToneControlToneControl Frets: 11438
    For acoustics I prefer 47mm, even 48mm
    I always played a bit of classical, and like modal tunings with high-voiced chords with some open strings

    I can play 43mm, 44mm acoustics, but not for pieces like the Rain Song

    For electrics, I can play any nut width

    I tried a narrower nut nylon crossover, and hated it
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  • dazzer22 said:
    Tannin said:
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
    I was referring to the more standard string spacing as the OP didn't give any measurements, I think the OP is having more trouble with his guitar technique as he blames his large finger ends, i am not saying people don't have preferences on what they like and don't but i don't see string spacing as a limitation, If he is having trouble playing his guitar on one of the standard string spacing or nut widths  then i have to question his playing ability first , Maybe i am the only one but i have never worried about string spacing or nut width when buying a guitar.
    I think this is a bit unfair as you dont know me at all. But I have three guitars,a folk size,a jumbo and a Sigma. I am not stupid as I can tell that my Sigma has a wider string spacing than the other two without a question of a doubt. I did not mention the nut myself at all but if a nut is wider then they could easily cut the string spacings in it further apart,no? I'd like to actually measure it but i simply havent got an accurate tool for the job. And while Ive only been playing about three years Ive played around 5-6 days a week during that time so have an idea that I am not talking through my hat. I'm glad that you have no problem with these things but I can tell you this is not a figment of my imagination.
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  • dazzer22 said:
    Tannin said:
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
    I was referring to the more standard string spacing as the OP didn't give any measurements, I think the OP is having more trouble with his guitar technique as he blames his large finger ends, i am not saying people don't have preferences on what they like and don't but i don't see string spacing as a limitation, If he is having trouble playing his guitar on one of the standard string spacing or nut widths  then i have to question his playing ability first , Maybe i am the only one but i have never worried about string spacing or nut width when buying a guitar.
    I think this is a bit unfair as you dont know me at all. But I have three guitars,a folk size,a jumbo and a Sigma. I am not stupid as I can tell that my Sigma has a wider string spacing than the other two without a question of a doubt. I did not mention the nut myself at all but if a nut is wider then they could easily cut the string spacings in it further apart,no? I'd like to actually measure it but i simply havent got an accurate tool for the job. And while Ive only been playing about three years Ive played around 5-6 days a week during that time so have an idea that I am not talking through my hat. I'm glad that you have no problem with these things but I can tell you this is not a figment of my imagination.
    I agree, it's a bit unfair, I have been playing for almost 60 years and I'm very fussy about my string spacing. I can play guitars with a different string spacing, but I notice the tiniest difference and I would never buy one that wasn't at least very close to my ideal spec.
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  • dazzer22 said:
    Tannin said:
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
    I was referring to the more standard string spacing as the OP didn't give any measurements, I think the OP is having more trouble with his guitar technique as he blames his large finger ends, i am not saying people don't have preferences on what they like and don't but i don't see string spacing as a limitation, If he is having trouble playing his guitar on one of the standard string spacing or nut widths  then i have to question his playing ability first , Maybe i am the only one but i have never worried about string spacing or nut width when buying a guitar.
    I think this is a bit unfair as you dont know me at all. But I have three guitars,a folk size,a jumbo and a Sigma. I am not stupid as I can tell that my Sigma has a wider string spacing than the other two without a question of a doubt. I did not mention the nut myself at all but if a nut is wider then they could easily cut the string spacings in it further apart,no? I'd like to actually measure it but i simply havent got an accurate tool for the job. And while Ive only been playing about three years Ive played around 5-6 days a week during that time so have an idea that I am not talking through my hat. I'm glad that you have no problem with these things but I can tell you this is not a figment of my imagination.
    I agree, it's a bit unfair, I have been playing for almost 60 years and I'm very fussy about my string spacing. I can play guitars with a different string spacing, but I notice the tiniest difference and I would never buy one that wasn't at least very close to my ideal spec.
    Thank you for understanding. I realise we all have our own traits and characteristics regarding a guitar and I'd have thought those of us who play acoustics almost exclusively are possibly a little bit more sensitive to different aspects of our instruments.
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  • bertiebertie Frets: 12145
    off the cuff comment

    do you think its people that have been playing "a long time"   and play more by muscle memory,  that suffer with different spacings,  than those that "have to concentrate" harder on what they're doing with their fretting hand ?

    not a "better or worse" thing,   just a thought  :) 
    just because you don't, doesn't mean you can't
     just because you do, doesn't mean you should.
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  • bertie said:
    off the cuff comment

    do you think its people that have been playing "a long time"   and play more by muscle memory,  that suffer with different spacings,  than those that "have to concentrate" harder on what they're doing with their fretting hand ?

    not a "better or worse" thing,   just a thought  :) 
    Not sure I quite understand but I think you mean that those of us very much still in the learning curve may be looking for excuses for not improving enough quickly enough? I think this is a fair point if you are playing one guitar regularly rather than a couple or more.
    I have also discovered that my smaller HB appears to have slight baseball bat design and appears( have no tools to measure accurately) but will emphasise 'appears' to have a baseball bat neck.
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  • bertiebertie Frets: 12145
    edited October 2022
    Not sure I quite understand but I think you mean that those of us very much still in the learning curve may be looking for excuses for not improving enough quickly enough? 
    nope, not at all.

    when you've been playing a long time,   you play without thinking  -  your hands/fingers just know exactly where to go..........based on 1000000s  of previous times...........your fingers are accurate cos they "know" where the strings are going to be ,  lazyness if you like - if that changes even slightly,  you can fluff/mute notes.

    For chaps learning, and having to think/concentrate more - the mere act of concentration  assists in "changes" in finger placement


    its a thought,  not a solid basis for argument  
    just because you don't, doesn't mean you can't
     just because you do, doesn't mean you should.
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  • MellishMellish Frets: 945
    I think what @bertie is throwing into the mix is that experienced players with many years behind them may be more aware of slight differences in string spacing/nut width. 

    But that's just MY take on it :) 
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  • bertiebertie Frets: 12145
    Mellish said:
    I think what @bertie is throwing into the mix is that experienced players with many years behind them may be more aware of slight differences in string spacing/nut width. 

    But that's just MY take on it :) 
    no it's not what Im saying  -   see my previous post :) 
    just because you don't, doesn't mean you can't
     just because you do, doesn't mean you should.
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  • MellishMellish Frets: 945
    ^^^ gotcha :) 
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  • droflufdrofluf Frets: 3144
    bertie said:
    off the cuff comment

    do you think its people that have been playing "a long time"   and play more by muscle memory,  that suffer with different spacings,  than those that "have to concentrate" harder on what they're doing with their fretting hand ?

    not a "better or worse" thing,   just a thought  :) 
    Think you might have a point; I’m at the stage where I have to look at my fingers some of the time so perhaps find it easier to adapt 
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  • dazzer22dazzer22 Frets: 40
    edited October 2022
    dazzer22 said:
    Tannin said:
    The term "string spacing" is usually used to refer to the spacing at the bridge. Technically, of course, it can be used for the spacing at any point, but when people say "string spacing" without qualification they almost always mean at the bridge. Some players have difficulty with unusually narrow or wide string spacing, most are pretty OK with anything in the midrange. Fingerstyle players tend to be the ones preferring wider spacing.

    (I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)

    Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)

    Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).

    (As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )

    Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on. 
    I was referring to the more standard string spacing as the OP didn't give any measurements, I think the OP is having more trouble with his guitar technique as he blames his large finger ends, i am not saying people don't have preferences on what they like and don't but i don't see string spacing as a limitation, If he is having trouble playing his guitar on one of the standard string spacing or nut widths  then i have to question his playing ability first , Maybe i am the only one but i have never worried about string spacing or nut width when buying a guitar.
    I think this is a bit unfair as you dont know me at all. But I have three guitars,a folk size,a jumbo and a Sigma. I am not stupid as I can tell that my Sigma has a wider string spacing than the other two without a question of a doubt. I did not mention the nut myself at all but if a nut is wider then they could easily cut the string spacings in it further apart,no? I'd like to actually measure it but i simply havent got an accurate tool for the job. And while Ive only been playing about three years Ive played around 5-6 days a week during that time so have an idea that I am not talking through my hat. I'm glad that you have no problem with these things but I can tell you this is not a figment of my imagination.
    I agree, it's a bit unfair, I have been playing for almost 60 years and I'm very fussy about my string spacing. I can play guitars with a different string spacing, but I notice the tiniest difference and I would never buy one that wasn't at least very close to my ideal spec.
    sorry if i came across some what in a negative way but 3 years playing guitar is not that long, ok first off i want to say this really is probably a moot point if he's only going to play acoustic guitars just find out with a wider string spacing your happy with, I started out playing acoustic guitars i have two now, one has a wider string spacing i actually prefer it when  finger picking, I have tried to think long and hard to why specs don't bother me like string spacing , neck thickness , 22 frets or 24 frets ,jumbo frets , when i did get my first electric guitar it had a thick neck quite heavy Epip les Paul , now back then i couldn't have imagined playing a different type of guitar myself i use to say it fitted like a glove and i was used to them specs, one day i got a different  guitar mainly because i loved the look of it and it sounded great but it was completely different, like  ultra thin neck -narrower string spacing - 24 frets , jumbo frets , i picked up that guitar and it felt alien to me it put me off playing it, but  i stopped playing the les paul and spent all my time playing that guitar,  now i can pick it up and it feels great in my hands to play i can also still pick the les paul  and it still feels great , yes there is a difference but i am like desensitized to it now, if i buy a new guitar i generally get something different,  i also  have a HB with a thick neck -  tremolo =  narrow string spacing  it didn't take much getting use to this time, the point is there is know right or wrong i know people that have one guitar only and never touch anything else or keep to the same specs,  but i see this as more of  personal choice  rather than being  restricted or limited .
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