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(I used to struggle a bit with average acoustic string spacing and was far more comfortable on my 12 (strung as a 6) whether I used pick or fingers but I have slowly become used to the narrowness of the average steel string guitar and my right hand no longer cares too much - though a little extra space for the fingers is always welcome.)
Reading your post, however, I think you are talking about spacing at the nut. In general, people talk about the pointy end of the guitar in terms of nut width and assume that the strings will be spaced out sensibly and reasonably evenly. (They usually are, so nut width is a perfectly usable proxy for string spacing at the nut.)
Contrary to @dazzer22, nut width is one of the most critical measurements of comfort and playability. Pressed to name the main factors in playability, I'd certainly mention body size (big jumbo vs parlour for example) and scale length, probably not worry about string spacing, and list nut width as second only to a playable action. It's a big deal. People who like little 43mm nuts really struggle on 12-strings and can't cope at all with classicals. People who grew up on classical or 12-string tend to get uncomfortable on 44mm nuts and find those dinky 42.5mm Takamine nuts a right pain. And some people (dazzer seems to be one of them) have the happy knack of being comfortable on anything from a mandolin (29mm) to a classical (52mm).
(As an aside, every player I have ever met has a few things he or she is fussy about, and a lot of other things that they are flexible on. Some players hate big guitars like jumbos and only feel comfortable on smaller instruments. Some hate skinny necks, some love 'em. Some like wide necks, some narrow ones, some like a C profile, some a V, some don't care. Some like long scales, some like short scales, some swing either way. Some hate humbuckers, some hate tremolo arms. And so on. And for every player that hates some particular thing, there is another player who loves it, and another three who don't care either way. )
Your HB probably has a 43mm nut, possibly even 42.5mm - these sizes are still common in Japanese and some Chinese guitars, though they have gone out of fashion elsewhere. That is very tight so fair enough if you are not comfortable on it. Your Sigma is probably 44.5mm - a middle-of-the-road width which nearly all players can get by on.
just because you do, doesn't mean you should.
Perhaps I'm just one of the lucky people who can't feel the pea under the mattresses.
OK, a 12-string feels noticeably wider to play (and presumably a classical 6-string, but I don't think I've ever played one), but 43 vs 44mm?
If you don't notice the difference (or cope with it easily) then that's great, it gives you a wider range of instruments to peruse.
Personally I'm more comfy with 45mm nut. Each to their own.
As for 43mm nuts, yes I can play them, but they feel cramped and unpleasant. I can't imagine ever buying one. (I don't much like 44mm if it comes to that, but I've learned to live with it.)
I play cleaner and better on a nice roomy fretboard. On narrow ones, I struggle to form some chords, especially at speed, and end up with nasty buzzes and unintended string mutings.
Given a choice, I'll go for 46mm (a very popular width in Europe) but I'm equally happy with 48mm and don't mind 50mm. 52mm (the wider of the two standard classical widths) I find a bit of a stretch but I can manage. Going the other way I can live with 44mm and quite like it sometimes, but anything under 43mm is the torture zone. I don't go there.
On the other hand, I'm not particularly sensitive to various other things. For example, neck profile. Anything vaguely normal (i.e., not crazy-thin and not a baseball bat) is fine by me. I might not even notice the difference! But I know players (including plenty of Fretboarders) who reckon it's a hot-button issue.
BTW, that neck width thing - it becomes less significant as you move up the fretboard. If you seldom play further down the neck than (say) the 4th or 5th fret, then it probably won't be something you notice. If you play a lot of single and two-note lead lines, again it's not so important. It's when you play down at the pointy end and use all the strings (picking notes out, not just strumming which is non-demanding because no-one notices if a string is muted when it shouldn't be) that it tends to matter more. What about hand size? Well yes, like @guitarjack66 I have fairly large hands. On the other (ahem) hand, I've seem blokes with palms like soup plates happily playing mandolins, and little children doing better than OK on guitars far too big for them. So I don't know that hand size is all that important.
EDIT: Regarding hand size/shape, I do have quite long skinny fingers, so perhaps that helps.
PS: if your answer is really and truly "no I like everything", then do you have a sister and is she married?
Oh, yes I have and yes she is
EDIT: There is something I don't like - necks with very "square" profiles - mostly on ones I've made myself and not carved round enough, but some commercially made necks are a bit that way. That feels horrible.
just because you do, doesn't mean you should.
I always played a bit of classical, and like modal tunings with high-voiced chords with some open strings
I can play 43mm, 44mm acoustics, but not for pieces like the Rain Song
For electrics, I can play any nut width
I tried a narrower nut nylon crossover, and hated it
do you think its people that have been playing "a long time" and play more by muscle memory, that suffer with different spacings, than those that "have to concentrate" harder on what they're doing with their fretting hand ?
not a "better or worse" thing, just a thought
just because you do, doesn't mean you should.
I have also discovered that my smaller HB appears to have slight baseball bat design and appears( have no tools to measure accurately) but will emphasise 'appears' to have a baseball bat neck.
when you've been playing a long time, you play without thinking - your hands/fingers just know exactly where to go..........based on 1000000s of previous times...........your fingers are accurate cos they "know" where the strings are going to be , lazyness if you like - if that changes even slightly, you can fluff/mute notes.
For chaps learning, and having to think/concentrate more - the mere act of concentration assists in "changes" in finger placement
its a thought, not a solid basis for argument
just because you do, doesn't mean you should.
But that's just MY take on it
just because you do, doesn't mean you should.