Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
You are quite right about the Roscoe Beck: according to Google it was derived from a Jazz. As I remember it, it felt and sounded very different to a Jazz. It had a big, clunky neck and a three-position pickup selector, allowing the user to choose one of three timbres, none of which was quite right.
I ended up buying a US- made Jazz 5 string of some kind of high end spec, with graphite rods in the neck. It needed different amp settings to my other basses, but dialled in it sounded pretty good.
All was well in the common Jazz keys. Until you played any B natural, at which point it would resonate strangely and give lots of fret buzz. So back to the luthier for a couple of days. Because it was a Fender.
I got rid of it a year or so later. I had previously owned a couple of Japanese- made Fender 4 strings, which I bought when new to bass because, well, hey it's a fender. One was fretted, needed fret filing, and was ultimately a bit uninspiring. The other was fretless and needed some uneven spots in the fretboard sanding out to make it play properly. Both were rapidly traded in for a Yamaha bb5000a in one case, and a Status Graphite Matrix in the other - both the Yamaha and the Status were truly outstanding instruments.
So, out of three fender basses, there wasn't one that I fell in love with. I also had a Japanese 50-something reissue Tele that could sound really good on the neck pickup with the treble rolled off. But pretty thin otherwise. So that's four.
They churn out instruments by the tens of thousands, so I am sure there are some great ones out there, by design or by accident. They are iconic, and I have been guilty of believing what I read. But after four encounters with the cold reality, I have given up.
I apologise for being a bit of a troll, but if they paid more attention to making working instruments with consistently high quality, and less attention to mining their back-catalogue for some kind of spurious, hipster authenticity, I would be more interested. I am several glasses of wine into the evening, so don't mind me.
Yes I know lots of people like fenders. But it wouldn't be the internet if everyone agrees.
Nil Satis Nisi Optimum
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm always interested to see how good the "THUMB BEHIND ALWAYS" merchants' vibrato is...
*I should add, I've seen several guitar players online say the same about always having your thumb behind for guitar, which I also disagree with- they seemed to be arguing from classical guitar technique, which seemed bizarre! I've never played classical, but it seems different enough from electric guitar that they should be treated as their own thing, surely? As I said, I've never played classical, so maybe I'm missing something, but there's not a whole heap of distortion noise to keep down with classical guitar, is there?
That said I still think a P-bass is as good a place to start as any, unless you already know you really specifically love a particular bass sound, in which case I figure there's no need to ask the question
Part of me thinks you should get a second pickup... I know there are problems with PJ layouts (the big ones are getting the outputs to match, and unless it's a noiseless J you get noise in 2 out of the 3 settings), but it does give you more options. There aren't usually that many other options at that price point for 2-pickup basses, at least two pickup basses where the neck pickup is a Precision pickup- I agree with you, the P-pickup is so useful it seems a shame not to get it as one of them!
I did start on guitar - but then so did many great bass players - but started playing bass early enough on that I hadn't really got a lot of technique set in stone. The really funny thing is that I play guitar almost exclusively with my fingers! For many years I did for bass too - until I started playing in a punk covers band. For the sounds you need for that, I had to learn to play bass with a pick .
I'm also in another band where I almost always play fretless without a pick. Does that make me more or less of a proper bass player than ones who only play fretted with their fingers? I also don't always use the alternating two-finger technique, except when I do use it. It's irrelevant - if you can play the music you want to play, it's all good.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I definitely didn't start bass early enough- I was very much a "guitar player" by the time I started. And I almost always play guitar with a pick! But (after getting some advice online about what not to do if you're coming to it from guitar) I very deliberately tried to approach it as a bass player- I'm not saying I could pass as a bass player, but hopefully it's not too obvious that I'd rather be playing guitar!
That thing I said about the pick thing, about not being comfortable with a pick- you can often even see it in really good, professional bass players. You can tell they're not that dextrous with the pick. I'm talking about really, really good bass players, who are way better than me. Yet they look about as comfortable with a pick as a guitarist who's been playing for about 3 months!