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The thing which still surprises me is how much people appreciate the effort we put in. Just last week an oldish (70?) guy came up to us while we were packing away. Judging by his attire and knowledge he had clearly worked in the industry at some point but he shook everyone's hand and thanked us individually for our performance and obviously knew how much went into it before we walked in the door. Times like that make it all worthwhile.
All change this week as we're doing the local school summer fair. We've been practising some Foo Fighters with Year 6 so that'll be fun. Setting up at 9am on a Saturday will be a shock to the system too!
If it feels impossible for "me" to be a rock star then it's time to play a role and pretend to be a rock star.
Many performers are very different people on stage and they use that difference to keep those parts of themselves separate.
The start of that process is to play a role on stage. Eventually it will develop into being your own persona and feel less like a role to be played.
But there's also the upside - if it's a role then it's easier to take any criticism - after all, it's not you they have a problem with, it's the character you are playing.
For me personally stage presence is either important or not depending on what I'm doing in that band. If I'm just playing bass then there's a couple of novelty acts out front and I put the rhythm section above all else. I'm happy to be Entwhistle, just standing there ignoring everything apart from the drums. If the rhythm section has a bad day, the entire band has a bad day.
If I'm singing or singing and playing guitar then the stage presence is far more important and I'm less concerned about wrong notes etc etc.
When I started fronting a band I was really nervous about making eye contact with the audience so I wore shades. Then I turned that into a joke. After the first 2 songs I'd lift them and say something like "Fuck - there's people here! I thought it was a rehearsal" and then thank them for coming and then go straight into the next tune.
Just something short and silly to break the ice and take the piss out of myself a bit. Seemed to work.
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It must be such an anti climax for punters afterwards whilst I'm packing away and they come over to tell me how great it was and how awesome my playing was and they're greeted with a shy retiring polite chap who can't wait to get out of there.
`Coverdale is never going to jump kicking off the drum riser - DLR is never going to stand still mid stage and hit a perfect high C. Both are great frontmen, just different`
Some guitar players I like jump around, some don`t. Some used to and now don`t! :-) - but all of them are authentic, not forced and just exude the feeling that they just should be on stage if that makes sense?
So as far as I`m concerned, I`m into what I`m playing - I don`t consciously force a pose and I try not to be contrived - I just try to look like a musician that can play and not someone who`s been given a tennis racket in a Butlins air guitar competition, or someone that`s desperately trying to remember the chords................
But we`re all different - so whatever floats your boat I guess.