UNPLANNED DOWNTIME: 12th Oct 23:45
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Squier Affinity Jaguar Bass, 32" scale. I'd been wanting a bass that would intonate accurately (my other bass is an old Hofner 185 with a floating bridge) in order to play melodic lines around the 12th fret and this fits the bill nicely. Fender is doing a great job with their budget end instruments and I'd read some excellent reports on this model so when an FSR with painted headstock in shell pink was on offer I was powerless to resist.
I've changed out the stock bridge (which was perfectly serviceable) for a Fender Hi Mass and I think I might change the tuners at some future point (again, they work okay and keep tune but they're obviously where some savings were made). Pickup is powerful and perhaps lacking some top end but boosting treble on the amp fixes it for me and I might investigate changing the pots to see if treble response might be improved. Fret work is excellent - no sharp ends, no high points. There is some neck dive when playing seated but I don't feel like I'm holding the neck up, while playing as my right arm rests on the body and seems to balance it up.
All in all I'm very happy with it; it's a joy to play and excellent value for money.
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https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
All of these details will reduce high treble detail.
It might be worth checking whether the coils of the pickup are connected together in parallel (like a Stringray) or in series. The latter is louder but boomy and overbearing.
Re the pickup, it’s a design I’ve never seen on a Fender before, how do I tell if it is series or parallel? I wouldn’t describe it as boomy and the volume pot has a nice gradual increase over most of its travel (as opposed to those that go from nothing to max between 8 and 10), so controlling volume is easy enough.
Single con + shield means that, however the pickup coils are connected, they are set like that.
2-con + shield could signify all sorts of possibilities.
So, for that matter, could 3-con + shield.
4-con + shield offers maximum versatility. Thus, the pickup could be wired via a mode switch to offer series/single/parallel options.
PROPER METHOD
Unfasten the pickup. Inspect its underside for bridging wires between the two coils.
EDIT: Nice score on the bass, excellent colour!
That's interesting about the WIlkinson- I haven't tried that one, but the ones I have tried (both guitar and bass, stock in Fret-Kings, not sure if the retail ones are the same) have been decent but not amazing. There probably aren't a ton of options for MM-style pickups, though...
Musicman Stingray pickup coils are normally connected in parallel.
The stock Squier pickup might improve if it can be reconfigured in parallel mode.
I would say- series doesn't always sound worse, it depends on the pickup (it's probably an overgeneralisation, but I would guess that the lower the output, the better it would work in series). I could see it sounding worse on an MM-style pickup, though, which as you say is designed to be wired in parallel and is basically perfect that way.
I'm not sure what spec the Squier pickup is, and I guess it also depends on whether they wired it in series because it it was designed from the ground up to be wired that way and sounds better in series, or whether they wired it in series purely to differentiate it from MusicMan...
All this talk of customisation and additional outlay flies in the face of the Squier bass being inexpensive and fun.
I’m quite happy with the sound I’m getting, it has more treble available than an EB0 for instance (though that might be damning it with faint praise). I play with flats, finger style, so I’m never going to achieve a Chris Squire clang but using my fish n chips eq and a compressor I can get a bit of cut to my attack, which is all I’m looking for atm. I might revert to the roundwounds it arrived with or perhaps some half rounds if I can find some in medium scale.