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Im pretty sure its an aesthetic thing, I think they're "ok" on smaller guitars, but for me the loss of "mass" on the headstock could mean some tonal/sustain impact
be good to see a true side-by-side of same models with slotted/standard - with the predicable caveat that no 2 are identical yadda yadda - but be interesting nonetheless
just because you do, doesn't mean you should.
just because you do, doesn't mean you should.
The weight factor may or may not be significant, I can't comment on that.
But I think the main reason some people think think slotted headstocks have better tone is because they very often go with 12-fret neck-body joins. Now there is absolutely no technical reason to do this. It is common simply because 12-fretters are old-fashioned, and slotted headstocks are too. So people naturally tend to lump them together. And, of course, a 12-fretter (with any headstock) sounds quite different to a standard 14-fretter for the very good reason that the bridge is in an acoustically better position. So yes, a lot of slot-heads sound great, but it has nothing at all to do with the slotted headstock, it's because they are 12-fretters.
Short summary of advantages: probably none.
Short summary of disadvantages: they are a right PITA to restring. They look ugly. Well, I think they look ugly, but I'm conditioned by decades of ownership of a slot-head 12-string. The trauma has not entirely healed.
Very short summary: I hate the damn things.
(I wouldn't say I'd never, ever buy another slot head, but it's one of those red-flag items which make me unlikely to consider an instrument.)
I'm not locked in here with you, you are locked in here with me.
just because you do, doesn't mean you should.
I'm not locked in here with you, you are locked in here with me.
Having restrung slot head mandolins I don't see restringing as a major challenge
Actually it's no problem, if you learn how to do it the easiest way. And it's a 12-fret Dreadnought, and it doesn't look silly .
The head is also noticeably lighter than a solid one, and the break angle being steeper is not hogwash - it is. To achieve the same angle with a solid head it would need to be shaped like an angled version of a Fender headstock, with the headstock set below the line of the neck. Whether either of these things have a major effect on the tone, I'm not sure - headstock mass does, but it's relatively subtle.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Your Worship, I submit to the court Exhibit A, a lute. And with that I rest my case.
The only way to have as steep a break angle with a solid head as with a slotted one is to 'step' the headstock backwards like a Fender head, so that the line of the posts is still below where the face of the head would be on a standard angled one.
Simple geometry .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm not locked in here with you, you are locked in here with me.
(Not actually mine, but identical to it.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm not locked in here with you, you are locked in here with me.
(Someone will probably link to a photo of such a thing now…)
Other than that, because if anyone else used it they would get a lawyergram from Mr. Hall.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm sure paddle type headstocks just became common because they are much easier and quicker to make in a factory setting.
just because you do, doesn't mean you should.
(I'm tempted by that Harley Benton all-solid parlour, on the basis that I probably wouldn't pay serious, or even semi-serious, money for a parlour, and it only comes with a slotted headstock.)
Probably takes me a few minutes more to totally restring
The point about traditional design on 12-fretters is probably correct. Many years ago my son took up violin lessons at school. I remember trying to tune the damned thing with those wooden friction pegs and wishing someone would have the sense to fit the violin with geared tuners - might look odd but much more functional.
Each to their own of course
Since the last restring I've found a thread on here that seems to make it easier.
see now to me, that's a walk in the park compared to a slotted................however no longer an issue cos Ive sold my tele
just because you do, doesn't mean you should.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson