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Or, for less money, Behringer BDI21 (the clue is in the name!)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
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The most annoying thing about it is that it defaults to off not on when powered up - so you always have to turn it on with the switch. I've thought about modifying it so it's the other way round, but it's probably a bit of a faff I'd guess.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
There are loads of options these days though. Everything from the Behringer, several Tech 21 models, all the way up to the Darkglass Alpha/Omega Photon and beyond.
The low price end (and the Tech21) often have a simple button for a Speaker Simulation with is usually little more than a filter / upper req roll off, and the expensive stuff has IR loaders.
Then there's the Line 6 Helix family from the Stomp to the full fat ones, the Neural Quad Cortex (a Darkglass spinoff) etc.
The greatest recorded bass sounds of all time have come from the bass getting plugged straight into the board, and then into a 76 style compressor. So you can get whatever you need without buggering about with IRs as long as the EQ is good enough.
The Behringer is a great place to start. The only caveat us that the footswitch is a bit crap. If you are leaving it on all the time that won't be a problem.
Use the PA to HPF it. Kill everything below 30hz (maybe higher than that if the room is boomy - quite possibly up to about 80hz if it's really boomy and indistinct), and you'll probably want to get rid of everything over about 6Khz as well, unless you want a really modern slap sound going on. Then EQ the rest to taste. If the room or the sound is crap then a good rule of thumb is to cut the bass and increase the mids.
If you are having more than just a bit of distortion then be aware that distortion = compression. So a clean note will decay far quicker than an overdriven one. An external compressor is very useful to balance the decay so it sounds like one bass and not two different ones.
Welcome to the dark side.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
The Zoom B1xOn is great for £40/50 used and it's my backup and sounds great to desk/PA but it doesn't have a XLR DI. If you want that and more versatility, the Zoom B3 has that and same sounds
Bit spendy though - especially as they have gone down the 'need a different pedal for a different amp' approach.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
My only comment would be that bass overdrives/fuzz can kill a lot of deep bass end IMO.
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@mart has very kindly donated me his Behringer DI21 so will try that out over the next few weeks. I had a laugh at the Behringer instruction sheet as it shows suggested settings for Amp , Mod and Mic switch controls that their version doesnt have! Where did they clone those from?
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Excellent value for money I'd say (although I do feel slightly guilty for encouraging Behringer's ripping off of other people's designs... but I did buy a real Mk 1 SansAmp from Tech21 when they first came out so they did get some of my money...)
Ebay mark7777_1