UNPLANNED DOWNTIME: 12th Oct 23:45
What's Hot
Not the most exciting thing in the world compared with some of the single luthier artisan loveliness and vintage classics hereabouts but I’m thoroughly enjoying it anyway…
Brief was an affordable workhorse which didn’t cost much, was kind to delicate fingers which have played almost exclusively electric for many, many years and were protesting at suddenly being called upon to do full length acoustic sets, low hassle amplification, and a sound which worked nicely against the big, loud, boomy (and to my ears a little overblown sounding) sounding Takamine Dread which the other guitarist in the band uses and the Taylor hits those points very, very well.
I thought my previous acoustic (from a small, long gone British company who designed and did final inspection/setup in the UK but manufactured in China) was actually quite nice for the fairly modest amount it cost me 15 years or so ago but it turns out it actually sucked and I’d been making life unnecessarily (physically) hard for myself for a long time - the Taylor is (physically) less demanding to play on its standard .012 gauge strings than the old one was on .010s…
Oh yes, and to my relatively undeveloped ears it sounds very nice too - quite dynamic, works well with a pick, snappy and bright enough to cut through a band mix (either acoustic or through a PA) but with a satisfying amount of Ooomph at the low end. I like the clean, unfussy aesthetics too, and that Koa looks lush…
Overall, in case you hadn’t guessed it I’m a very happy punter, also plaudits to Connor at Peach who put up with my stupid questions and ham-fisted guitar pummelling splendidly and provided very helpful guidance without ever being in the least pushy.. :-)
Don't ask me, I just play the damned thing...
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Enjoy your new guitar
…and I am doing! It had its first public outing at Cosmic Puffin festival on Sunday, and I thoroughly loved it, I also enjoyed coming off stage and not feeling like I’d had all the fingers of my left hand put through an industrial mincing machine… :-)
And you are going to notice the superb out of the box setup, the effortless playability, the versatility, and the works-every-time fuss-free nature of the little Taylor.
Yep: good choice. It's a tool to do a job and for your job it's the right tool. Never buy a 21 Volt brushless impact driver when what you actually need is a hammer.
Well done and enjoy, @JayGee.
PS: and where are those pictures?
My eyes pass over Taylors when I'm in a store which is ridiculous really. You hear the 'Taylor sound' compared with the 'Martin sound' as if there the only 2 brands in the world and they each have an individual tonal characteristic, across all their instruments. Which is probably nonsense. Was there never a Taylor which sounded like a Martin? Or vice versa. I really should take more interest in Taylors. I was very interested in their 'Urban Ash' initiative. That's exactly the sort of direction we should be taking IMO.
Sounds like you're happy with the tone and playability anyway. That's the only important thing. Your old instrument sounds as if it had a poor action and you put up with it. We've all done that.
Have fun.
Like Australian Blackwood, it can be plain or quite dramatic. It still sounds good, whatever ( so long as it is used right ).
Congratulations on a lovely guitar to take you to good musical places.
I do love the properly special stuff mind, I have played a few luthier built instruments (including a properly exotic fanned fret baritone harp guitar, which was mind blowing on many, many levels…) and I think the builders love, skill, and intrinsic quality of material comes through in a way that no electric can hope to match. I’d love something like that, it it would be for special occasions and quality time by myself at home rather than as a workhorse though. Apart from anything else it would raise expectations which my playing can’t match… :-)