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HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
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Feedback thread: https://www.thefretboard.co.uk/discussion/comment/3575378
vasselmeyer said:
Roland said: Lifting all this stuff beats going to a gym
I once depped for a band where the keyboard player used a Hammond B-3. I carelessly said I'd arrive early to give them a hand with loading in.
NEVER AGAIN...that organ had it's own gravity, it was so heavy.
I got my cash and left ASAP once the gig ended. There was no way I was helping with that thing again. Judge me all you like, but if you'd been in the same situation, you'd have done the same.
In the early days of The Selecter the keyboard player had a Hammond and none of them had a car that could take it. So they could only use it for gigs that it could be wheeled to from his house; some photos somewhere of the band pushing the Hammond through the streets of Coventry.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
https://i.imgur.com/AqLQAkU.jpg
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
I'm guessing that you're either Vangelis or Eddie Jobson as I think they were the only people in the world that could afford one (and the crew to lift it).
Still, if you pay as much as a medium-sized house for a synth, it makes sense that it should at least weigh as much as one. Sort of.
It must have been quite interesting to own one of the holy grail synths.
I had one mid 90's and sold it for about £300 when I relocated to the UK.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
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There was a time when you couldn’t give ‘em away, same as Mellotrons, Jupiter 8’s, blahblahblah.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
I always wanted a Jupiter 8 but never quite had the cash, even in the post-FM world of cheezy electric piano and flutey leads. Came this close (holds thumb and index finger almost together) to buying a used Jupiter 6 but bought some stupid guitar instead. Ah well, you live and learn. (Or don't learn, in my case.)
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
The CS80 portamento strip was the really cool, genius feature but the main issue with it was the tuning was always drifting as it warmed up. It was just redundant old tech at the time. The holy grail stuff is just a modern creation. I think people imagine it as mega rich and warm.. but i found it quite thin and buzzy and the ring modulator was OTT. Needed external fx to get the full Vangelis thing going but the classic Blade Runner tones were all there, esp through an early Alesis digital reverb.
The weight, tuning issues and size made it impracticable for live use and it took up too much studio space. I gave it back. Would buy a camper van today with it.
I do wonder what it would be like to rediscover it again now. the Reface CS and modern equivalents do attract but then a Korg Prologue just sounds so much better.
Seriously though, it does my old heart good to hear such tales so thanks for the thoughts. It seems that everyone is retro/authentic mad these days, despite the amazing quality and (relative) price of the stuff that you can get new.
I was recently thinking that the current fad for tape saturation vsts that make everything sound like they were recorded on a a mangled Betamax cassette covered in Marmite might have gone a bit far. Much as I love Boards of Canada's woozy, retro-futurism, a lot of the electronic sounds and recordings I like were actually quite pristine sounding, despite the analog sources.
Have never tried a Prologue but I like what I've heard. I keep trying to justify getting a Deepmind, if only because my tiny brain can't get beyond the idea of an analog poly for so little cash. That said, I keep returning to stuff like NI Massive which even a numpty like me can easily program! No mucking about with a "modulation matrix", just drag a link from an LFO or envelope to the filter cutoff, osc pitch or whatever - wonderful!
My favourite user is/was Tommy Mars. The touring synths probably belonged to Frank Zappa.
What possible agenda could you have to listing them all by name?
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/