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That board can run straight to the PA or through the power amp into a cab (guitar cab or FRFR, it doesn't care). Both delays are in the loops of the Stomp, with bypass handled by snapshots.
While it's the most compact rig I've ever had, it's also the most versatile - both in terms of how it can be used hardware-wise and what it can do sound-wise.
Oh, and it's all battery-powered apart from the power amp.
And the more/presence knob has a very good amp like treble cut.
With the DSM Simpifier having a flat/thin DI sound, the Revivaldrive really adds a "3D"element to the tone.
Of note it does provide a bit of compression (which I love) so it does the classic vintage sounds well. It may not be so useful for modern alternate tones. Or I'm doing that tone profile wrong!
Only outboard is a 90's Crybaby on occasion.
Full-fat Helix direct to PA for me. The other guitarist in the band uses an HX Effects into my old JMP-1 pre amp. I use a Kemper in my home studio which I’ve also gigged in the past but, whilst I think that the Kemper sounds better, the Helix is more flexible.
Our Drummer quit at NY so in a couple of weeks’ time we’ll be doing our first gig with the drums on a backing track. This has enabled me to do all of my preset loading / snapshot changes remotely via a MIDI track running in sync with the drums (I’ve also programmed the lights to do the same). I just plug my guitar in and play, no tap dancing. It’s very liberating.