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Curiously, the action is quite high by my standards but I feel no urge to change it. I generally like around 2.0 to 2.3mm (bass) and about 1.6 to 1.8mm (treble). The May is 2.7mm and 2.0mm with just the tiniest smidgeon (0.12mm) of relief and that seems to suit it for some reason. I can dig in very hard (as I love to do) and it never complains. I have no plan to change it.
My three Matons: left to right, WA May, Messiah 808, SRS60C (custom). Tops, Sitka, Sitka, cedar.
And the back view: Backs: Blackwood, Indian Rosewood, Queensland Maple. Necks: Blackwood, mahogany. Queensland Maple.
Several methods work and work well, too. There *are* some weird ones, though. I've seen strings going to the wrong tuners with a spider's web effect in front of the headstock - and even *that* stayed in tune
https://www.acousticcentre.com.au/collections/new/products/cole-clark-fl2e-bunya-blackwood-12-string-with-case
Some nice pictures of it there. Here are a couple I took myself. This first one from 2020:
And from 2021, a close-up of that gorgeous River Sheoak fretboard. (Click to enlarge.) One of these days (and quite soon) I'll get another guitar with an interesting fretboard timber sheoak again, or Mulga perhaps.