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For more boom (be careful what you wish for there - boom = mud if you don't get it exactly right) something similar in rosewood might be worth a look.
https://www.thomann.de/gb/recording_king_rd_328_aged_adirondack.htm
(Adirondack Spruce, more properly Red Spruce, is a very hard and light spruce timber - harder and lighter than the more common Sitka Spruce - and it can certainly be very loud. It is much favoured in the bluegrass community for that reason. It is also rather sharp and abrupt: not the easiest or most forgiving of timbers to play. But if you are comfortable with that, it is both loud and sweet.)
I've heard this model described as a Tone-cannon, and it is way punchier and louder than all the other Larrivees I used to own
You won't get one for £750, but it should be possible to find the spec in a cheaper brand:
Basically, it's a 12-fret slope-shoulder dread
Because it's a 12 fret, the bridge is in a more optimal position in the centre of the vibrating part of the soundboard
plus it's a dread - hence louder
plus it's rosewood and spruce - which is possible to drive harder than cedar. The stiffest soundboards (e.g. Adirondack) can get very loud, but do need a plectrum to get to full volume
NB: this model has a wider neck than usual, which I think is great.
So my idea is that you look for this spec,
having a quick look, there are some in your price range:
eg: Sigma SDM-18S 12 Fret Slope Shoulder Dreadnought
Vintage Historic Series Drop Shoulder Acoustic, Aged Finish. Cheap and cheerful and has 12 frets and slotted headstock
Or in other words, a maple-bodied, long-scale dreadnought. I find jumbos a bit too deep and scooped to be really punchy and loud in a band mix - dreadnoughts have more thump in the lower mids. Contrary to popular belief maple is not a bright-sounding wood, it's actually very balanced right across the frequency range.
If not maple, then any good rosewood dreadnought - it's probably the most popular guitar style ever made so there shouldn't be a lack of choice - preferably fairly heavily braced so you can play hard and loud with heavy strings... this is basically the reason Martin stopped scalloping the bracing on theirs after WWII when Bluegrass became popular.
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"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Blueridge BR140
https://www.facebook.com/commerce/listing/296019942648142?media_id=0&ref=share_attachment
just because you do, doesn't mean you should.
just because you do, doesn't mean you should.
Just to update those that asked, I got the Eastman E1D yesterday, and am absolutely blown away by it. I never expected a guitar in that price range to sound as good as it does. I found a secondhand one that has been set up with a lovely low action, so it plays great all over the neck. The volume I wanted is there when you dig in. It’s not overly boomy on the bass, but it is a strong full tone that works for what I want. Very happy with my dread. Cheers.