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I do have a guitar with the trinity system which adds a mic and an external preamp mixer, sounds great but pricey
I know the following will be controversial given some of the previous Threads, but a Fender Acoustasonic into an EQ pedal might suit, though it depends on if you need something that actually look like an Acoustic Guitar.
I have a K&K Pure Mini to install as a secondary system or in a new one but for live simplicity, the Yamaha silent guitars are def. interesting. I am already swapping different types of instrument a lot at gigs, so compact, easy and reliable is target. Sounds over looks. I can usually only hear my acoustic instruments through monitor/IEM anyway.
I think I will give the silent guitars a better look, I am good for recording.
Now this tech is out there and very user friendly (it wasn't initially) I don't see any advantage in the complex multi-source pickup systems any more. Just a passive UST or SBT is all you need. IRs can even make soundhole mag pickups sound a lot more natural.
Certainly it is the other option and i was looking closely at the Nux Optima Air to try it cheaply.
the current range of epiphone acoustics have a couple of nice models that are 85% of sound or the copies a sigma if you want that Martin sound(ish) on a budget.
That said I’ve been pleasantly surprised by some of the modern laminate composite guitars under about a grand from both Gibson and Martin. As ever play everything and trust your ears.
Best I've found is Trance Audio Amulet MV (transducer), Maton A5 Pro (piezo + mic) and Cole Clark PG3 (piezo, trans + mic). All have preamps and can go straight into the desk.
I ended up buying a Maton SRS70C with an A5 Pro just for the plugged-in sound - 95% of my playing is amplified so it made sense to make it a priority over pure acoustic tone.