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D'Addario EFT16 Flat Top light ground phosphor bronze
D'Addario Flat Tops aim to eliminate left-hand finger squeal without the dullness of flatwounds or the unpleasant feel and muffled tone of plastic-coated Elixirs. I tried them on my Cole Clark Angel III.
They start with a slightly oversized but otherwise normal round wound string and grind it semi-flat. Flat Tops don't feel quite like standard round wounds but they are pretty close, and the anti-squeal really does work. None of the other guitars here have Elixirs on at present so I can't do a direct comparison, but I think I'm safe in saying that the Flat Tops are at least as good and possibly even better at squeal elimination. (It would be useful to compare to flatwounds but I haven't played any for years and don't really remember them. I do have a fresh, unopened set of Galli brass flatwounds here (yes - brass flatties) to try out, but haven't got to them yet.)
The Flat Tops are surprisingly stiff and heavy under the fingers (which is unusual for a D'Addario product) and although they are standard 12-53s they feel almost like bluegrass strings or mediums. When you think about the way that they are made, perhaps this shouldn't be surprising.
But do Flat Tops sound good? Well, not really. They have a rather odd tone, quite difficult to describe. There is nothing actually wrong with it but they lack roundness and dynamics and subtlety; everything sounds shouty and muffled (yes, both at once). They have settled in and improved over the few days I've had them on, but after the lovely rich and mellow tones produced by the Galli PB and SIT Royal Bronze sets on this guitar, the Flat Tops are very disappointing. ( You know how you sound when you are trying too hard? Over-hitting the strings, not to the point of buzz and distortion but you've lost your tone and the light and shade in your playing? Well these remind me of that.)
Worse, I'm not convinced they intonate properly - the G string in particular plays flat up around the 7th and 9th frets.
But don't eliminate the Flat Tops just yet. Tone is a matter of taste, and in any case it varies enormously from one guitar to another. The Angel is quite fussy about strings and I'd like to give the Flat Tops another go on a bigger guitar (a dreadnought or small jumbo) and maybe on an archtop. There is a lot to like about these strings, and a lot to dislike. If a non-Elixir squeal-free string is what you want, then you really have to see how well Flat Tops work for you. For the right player on the right guitar, they just might be the best strings you ever used.
Anyone else here used them? I'd be interested to hear your thoughts.
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I like the thomastik plectrums, which are a hybrid of flat wounds and round wound. They sound wonderful but may not fit every single guitar due to gauge/silk wrap at ball end.
https://www.thomastik-infeld.com/en/products/guitar-strings/acoustic-guitar/plectrum
just because you do, doesn't mean you should.
just because you do, doesn't mean you should.
@danishbacon, I'll add the Thomastics to my list of strings to try. However I've got about a year's worth of different sets sitting here waiting for their turn. I've (mostly) given up buying guitars because I ran out of room in the house and also money. Strings are a different matter - every time I see something I haven't tried I buy it.
just because you do, doesn't mean you should.
Another D'addario product for me to leave on the shelf.
EDIT: that's still not clear. Pyramid make two completely different round core strings, both called "Western Folk". One is a normal round wound string, the other is the ground one. (Someone ought to have a chat to them about branding.)
The Pyramid hand-polished strings have an odd, raspy feel a bit like Flat Tops, but are more similar to a normal string. They aren't ground as deeply and, having started with a more flexible, melodic round core, the result is much more satisfactory. Pyramid recommend these as premium-price strings for recording. They do have a decent sound for a ground string - much better than the Flat Tops - but not nearly as good as the standard (unground and much cheaper) Pyramid Western Folk.
So that's three semi-flat strings I'm familiar with now. The D'Addario Flat Tops are basically pretty awful; the Pyramid hand-polished are much better but still not something I'd recommend to anyone; the SIT Silencers - the least ground of the three - are one of my favourite string sets. Clearly, when it comes to grinding round-wound strings, less is more.
Note that all three - D'Addario, Pyramid, and SIT - still produce plenty of finger squeal. So what is the point of grinding? If you want to get rid of finger squeal, there are only two answers (a) improve your technique, and/or (b) use Elixirs.
(Just to be clear, the normal Pyramid Western Folk round core strings are lovely, very similar to DR Sunbeams.)
Oh, and @bertie - I missed your question of some weeks ago. My apologies. Are "half-round" and "Flat Top" different terms for different countries? No. I bought the Flat Tops in the USA. It turns out that D'Addario use the "half-round" term for their ground round electric guitar and bass strings, but call the same thing "Flat Tops" if it is an acoustic guitar string - which is a bit weird when you think about it, as the only people I can really imagine buying these play arch tops!
On my Maton Messiah (a traditional sweet-voiced spruce and rosewood instrument, strum or fingerstyle as you please) I'm loving the Sunbeams now on it, and am thinking of going back-to-back with a set of PWF just to compare them.
I have four other round core sets (Newtone, Optima, Curt Mangan, Martin) on hand or on order but it will take me a while to get through all of them. (Yes, I've gone a bit mad on round cores lately.)
Looking over my notes with an eye out for what I reckon you might like, I see Darco 80/20s (exact same great string as the Martin MA-140, plainer package and a pound or two lower price), and John Pierce 80/20s (quite a hard string at the gauge like Elixirs, and a great sound, probably right up your street).