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http://www.thefretboard.co.uk/discussion/57632/
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The Code is probably closer... although they're more of a full-on modeller.
The MGs aren't bad-sounding if you run them through decent cabinets though.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
A JTM45 is still physically huge so unless Fender sell bucketloads of the tonemaster super reverb (doubt it) the studio range seem to do well enough to cover what people want.
To their credit the studio series seems to have been well received. Took a good decade of people saying 'do you know what would be cool...' though!
A lot of these things look like an opportunity being missed, but how much demand there actually is beyond a few thousand people on internet forums, I’m not sure.
Although it has to be said that they also seem to make quite a few series which must cost a reasonable amount in R&D but then get discontinued fairly quickly because they weren’t what people actually wanted…
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm actually surprised no-one has ever mocked these up
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'd love a Marshall version for the house. I much prefer Marshall cleans to Fender ones.
They could do a lovely Bluesbreaker combo design type as a 1x12.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
https://www.thefretboard.co.uk/discussion/207596/bolters
That sounds like an excellent bit of kit.
I'll have to keep an eye out for one.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Instead we get boxes that sound like circuitry rather than being particularly visceral or open sounding like the aforementioned ones.
The JVM isn't terrible, but it's far too overdone and some of the modes sound plasticky, IMO. And then I'm not sure if they've released anything new in that format since. Perhaps they are happy to keep selling JVMs and not aren't too bothered by releasing any new heads that aren't 20 watt rehashes or reissues of older amps.
The main issue I have with Marshall is they seem a little tacky nowadays. Some of the 20 watt stuff they're doing is cool, but it just looks a bit cheap, even though it isn't necessarily.
The other reason was, as you alluded to, the voicing. I just preferred the JCM800-based crunch and lead voicings in the latest model DSL40, once it was on an equal footing speaker-wise by chucking a Creamback in there, plus it does actually have external bias adjustment!