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in terms of what material is good for 3rd harmonising, scalar music works best, where each note is only a 2nd or maximum a 3rd away from the preceeding one. Like The Trooper, Boys are back in Town, etc. Study those tunes and you’ll find the defining factor is that they’re scalar melodies. It wouldn’t work so well with, say, Somewhere over the Rainbow.
So I'm on the right track
Unfortunately the best lines aren't fixed intervals, take the verse of Hotel California, One guitar goes down chromatically every 2 bars, one guitar stays on the same note for 8 bars a couple of times and there's no harmoniser that will do that. Some of the Lizzy harmonies are like that too
By the way, it's much easier to do major/minor 3rd harmonisation on the 2nd and 3rd strings, than on the 1st and 2nd. So, for Brown Eyed Girl for example, in G, starting on the 12th fret with a little 2-string barre on 2nd and 3rd strings, than it would be to start on 7th and 8th fret on the 1st and 2nd string.
I've seen so many people cock that intro up, it's one of those riffs that are so simple but get one note wrong and it really stands out as it's just the guitar on it's own.
I can play both parts on Boys are back, Rosalie, don't believe a word and quite a few other Lizzy songs using basic double stops in thirds
I don't even think of it has a harmonised line....
I am surprised no effects manufacturer has yet come up with a pre set 100 or so harmonised patches effects pedal for popular songs that use intelligent harmonies... I'd buy it just to get hotel California duties...?