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UNPLANNED DOWNTIME: 12th Oct 23:45

When bandmates can't nail parts...

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  • joeWjoeW Frets: 387
    I am sure my bandmates say this about me when i arse up the timing on the intro to 'Full House'.  I decided to ditch the opening and go straight to the head which sounds fine.  I think it's only frustrating if someone doesn't know they are messing up and ignores polite suggestions to critically listen to rehearsal recordings.  
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  • Anyone else see the title of this thread and thought "oh shit, have I stumbled into a conversation my band are having about me?!"  :/
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  • KeefyKeefy Frets: 2064
    Fwiw I count in the drummer in my pub covers band for Sex on Fire. We’ve never cocked it up yet.
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  • DesVegasDesVegas Frets: 4389
    Play Nirvana songs instead, way more fun
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  • DesVegas said:
    Play Nirvana songs instead, way more fun
    Or do what I do - play in 50s rock'n'roll/rockabilly band. All 35-40 songs in out setlist are essentially the same, so if I forget how one of them goes I just play one of the ones I can remember instead, and nobody notices the difference!  =)
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  • DesVegas said:
    Play Nirvana songs instead, way more fun
    Or do what I do - play in 50s rock'n'roll/rockabilly band. All 35-40 songs in out setlist are essentially the same, so if I forget how one of them goes I just play one of the ones I can remember instead, and nobody notices the difference!  =)
    Wis’d. I was in a similar band for about 5 years. 80% of the set was in A or E too.

    Great fun though and everywhere you play, people always get up and dance.
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  • ICBMICBM Frets: 69426
    DesVegas said:
    Play Nirvana songs instead, way more fun
    Or do what I do - play in 50s rock'n'roll/rockabilly band. All 35-40 songs in out setlist are essentially the same, so if I forget how one of them goes I just play one of the ones I can remember instead, and nobody notices the difference!  =)
    I was once in a band where I had a rather memorable fuck-up like that. I'd just joined the band and hadn't really learned the songs properly because, well they're all the same and as long as I can hear what the singer/bass player is doing then I can just wing it, like I did perfectly well with the last band.

    At the brief set-up everything seemed fine - no monitors, but nice loud bass amp, and audible enough vocals. The one thing we didn't have time for was running through an actual song.

    Started the set and found that somehow I couldn't hear *anything* except my own amp and the drum kit.

    Oops. I was at least in time...

    So now, instead of playing guitar in a rock'n'roll band I play bass in a punk-ish band that does Nirvana covers. Problem solved :).

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • GrunfeldGrunfeld Frets: 3950
    edited November 2021
    With SoF I used to count two bars out loud to the drummer before I started to play the guitar riff in the next bar. 
    "1 and 2 and 3 and 4 and" --  just so he could hear where the "1" lived. 
    He doesn't need me to do it now.  But it totally solved the problem.
    EDIT -- just seen @Keefy say the same thing.

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  • robertyroberty Frets: 10231
    edited November 2021
    Of all people a drummer should be able to find the downbeat. That's mad. Already been suggested but can the drummer not start on the high hat pedal first to establish the downbeat themselves?
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  • RockerRocker Frets: 4843
    It is not a crime to not know the part. Life can get in the way sometimes 
    Insanity: doing the same thing over and over again and expecting different results. [Albert Einstein]

    Nil Satis Nisi Optimum

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  • KeefyKeefy Frets: 2064
    roberty said:
    Of all people a drummer should be able to find the downbeat. That's mad. Already been suggested but can the drummer not start on the high hat pedal first to establish the downbeat themselves?
    True but the start of SoF is particularly deceptive.
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  • LogieLogie Frets: 428
    @Rocker ;

    Agreed if you're just jamming for fun but if you're in a band intending to go out and play live then you owe it to your audience and your bandmates to be competent and do the songs justice ( especially if you're taking money for gigs ).

    I agree that life gets in the way sometimes but if it precludes you ever getting it right then maybe being in a band isn't the thing for you. 
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  • Anyone else see the title of this thread and thought "oh shit, have I stumbled into a conversation my band are having about me?!"

    Well, I thought "Oh, a thread about extreme BDSM." Am relieved rather than disappointed. 
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  • The start of SOF is a bit of an ongoing struggle with drummers and me. 

    Not so much because I play with poor drummers - far from it. More that, with the wedding scene, there's a lot of depping and swapping around with slightly different line-ups all the time, so one guitarist will play the intro ever so slightly differently to another, and another drummer will count it off slightly differently to another etc, and so unless you're clear about what you're doing it is very easy to confuse a very, very capable drummer by me counting it out loud in a way that doesn't match how HE counts it...if you get me.

    Another issue is that, and I hope I am not talking about myself here but am aware of the fact that I probably AM, some guitarists count the intro wrong and come in on a different beat to what they thought they were counting.


    Actually....yes, that's almost certainly me.

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  • ICBMICBM Frets: 69426
    Logie said:

    Agreed if you're just jamming for fun but if you're in a band intending to go out and play live then you owe it to your audience and your bandmates to be competent and do the songs justice ( especially if you're taking money for gigs ).
    Totally agreed, but that doesn’t mean you have to play it like the record - play your version of the song, using whatever parts work for you. Change it a little, or change it a lot - audiences are more likely to appreciate a different interpretation played well than yet another slightly-forced-sounding attempt to get it ‘right’.

    Tribute bands excepted, obviously - although even then, many famous bands didn’t play exactly the recorded version of some of their most well-known songs, which were sometimes happy accidents in the studio.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • LogieLogie Frets: 428
    edited November 2021
    @ICBM ;;;;

    I did say in my earlier post on here that I wouldn't expect a slavish copy of the original.

    What I wouldn't be happy with is what sounds like a bloke falling down the stairs clutching a box of out of tune kazoos.

    If the effort is put in to get the timing right so the band doesn't sound like they just met on the way in it's all good
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  • chromatunachromatuna Frets: 337
    edited November 2021
    Mostly I think it is a case of inserting ‘be bothered’ into the thread title. They don’t have enough enthusiasm to do a proper job, like being in a band but don’t want to do any work.

    However… there was one lovely guy I played with who remains a good friend who could not for the life of him remember stuff. Same result for the band though…
    Once in a while, you get shown the light, in the strangest of places if you look at it right
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  • Mostly I think it is a case of inserting ‘be bothered’ into the thread title. They don’t have enough enthusiasm to do a proper job, like being in a band but don’t want to do any work.


    Wholeheartedly agree! I can live with most of the crap associated with being in a band but plain old laziness is the one that kills me every time.. 
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  • I've had the same issue with a guitarist who couldn't not play the main riff to Ace of Spades on the 'one'. That one took some dipliomacy.
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  • 26.226.2 Frets: 486
    I think intros are a bit different to say, substituting a slightly easier bit in a solo that could still be exciting, in time and in keeping with the song. Intros set the song up - if you don’t get them right and sort of fumble into the song it just sounds half-assed and awful.

    I would want to work on it as a band and keep at it until you couldn’t do it wrong. If it just won’t happen then drop the song. 

    I’ve been there in an originals band - we had an intro where I had to come in with the drums on the one after the rhythm guitar had set up the main riff. I just couldn’t hear the one - i had no flipping idea what I was doing or even what time sig it was in. The others instantly got it but they seemed to be coming in on ‘one and a’ instead of one. If I watched the drummer I could fake it but i actually couldn’t count it off on my own. I got a recording of it from rehearsal and literally walked around with it playing thru my headphones for hours on end if I was away from a guitar. When I was at home I just worked and worked at it until it clicked. It’s never happened before or since - somehow that song intro just wouldn’t click with my ‘counting brain’. Really weird. Even if I hear the song now I don’t really ‘hear’ the one - but I can sort of mechanically do it because of the work I did. 
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  • Danny1969Danny1969 Frets: 9752
    I think SOF confuses people because the guitar riff comes in on the 4 and the drummer thinks it's the 1. So one way around this for the drummer to just stick one extra beat in before coming in , make the last bar of the riff 5 beats instead of 4 and then come in. That should get them on the right down beat.

    On the whole though, much as you have to be off a certain standard to command decent money I think personality goes a long way and there are a lot of people I enjoy working with who maybe aren't the most practiced or committed ... but are a bloody good laugh to be around 

    www.2020studios.co.uk 
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  • ICBM said:
    Logie said:

    Agreed if you're just jamming for fun but if you're in a band intending to go out and play live then you owe it to your audience and your bandmates to be competent and do the songs justice ( especially if you're taking money for gigs ).
    Totally agreed, but that doesn’t mean you have to play it like the record - play your version of the song, using whatever parts work for you. Change it a little, or change it a lot - audiences are more likely to appreciate a different interpretation played well than yet another slightly-forced-sounding attempt to get it ‘right’.

    Tribute bands excepted, obviously - although even then, many famous bands didn’t play exactly the recorded version of some of their most well-known songs, which were sometimes happy accidents in the studio.

    Or you could just play it properly....





     ;)  =)
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  • ICBMICBM Frets: 69426
    Logie said:

    I did say in my earlier post on here that I wouldn't expect a slavish copy of the original.

    What I wouldn't be happy with is what sounds like a bloke falling down the stairs clutching a box of out of tune kazoos.

    If the effort is put in to get the timing right so the band doesn't sound like they just met on the way in it's all good
    True! But that sort of problem is actually more common when bands try to stick too closely to the original arrangement - particularly when the original is a bit 'odd' - rather than coming up with parts that suit their natural rhythm and phrasing.

    There are very few songs which can't be played slightly differently and still sound good. There are even fewer which can't be played completely differently and sound better than playing them slightly differently ;).

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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