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But I'd suggest around £500 gets you to the next level
As always the best advice is to go and try as many guitars as you can to find out what you're drawn to.
are you inspired by a band or player ? An option would be to get a model similar to or what they play .
do you play acoustic rock , small body ,electro acoustic cutaway that looks flashy (Yamaha apx ,Washburn etc)
do you play everley brothers, elvis ,Stones then possibly a super jumbo , epiphone dove or hummingbird .
country or country rock , Martin dreadnought style , takamine, epiphone ,Yamaha .
classical gypsy jazz etc favour certain types like nylon string ,maccaferri shape
blues could be anything , parlour I think like Clapton unplugged , can’t remember what he played if it was a parlour size Martin 000 , good alternatives can be had by sigma , cort,tanglewood ,takamine.
popular shapes are dreadnaught ( most familiar one everyone plays) Martin d28 style
super jumbo ,large narrow waisted projects well, everley brothers I think
APX ,small Yamaha electro acoustic .
good idea to find what artist inspires you , look up the name of what they play
if it’s expensive there will be a similar shaped styled one by another manufacturer at a better price
hope this is of help
i had a solid body acoustic same size as a tele once , and a Dean Flying V Acoustic
when you’ve found some you like make a note of the make and model and then go back and play them again another day. See what grabs you the second time around.
Be very careful if the sales person says ‘this is better’. Play it and decide for yourself. If you find yourself agonising, step back, take a break. Go back and try them again.
Trust your gut and you ears. If you have a significant other who can read you take them with you and ask the to look at you as you play, they’ll help you identify the ones which sing back to you. Then work out what the tone woods are.
Pay attention to the feel of the neck and the nut width. The easier it is to play the more you will play it.
it took me two years to find the guitar in my head.
Don’t get too excited when you think you found it. Ask to play *every* other copy of the make and model they have in the shop. You wouldn’t believe the variation between two identical guitars with consecutive serial numbers.
pay attention to the weight. Better timber makes for a lighter guitar (less bracing required). Smell it, some timbers smell gorgeous.
If I had my time again I’d buy the 00-15 Martin I heard in 1987 but I thought I wanted a HD28. I didn’t but I was too fixated to realise it.
buy the one that sings back to you. Negotiate a free set up and new set of strings on any thing over £300. My local luthier sets everything up properly and the will tweak the setup for you up to 6 months after and he doesn’t sell bonkers guitars.
buy a decent hard case. Your guitar will love you for ever.
You’ll know it when you play it and it doesn’t matter what anyone else thinks.
don’t buy unless you’re sure, so sure you can’t leave it in the shop.
enjoy the ride. And tell us what you buy.
Trouble is those mid price, 5-600 Far East guitars are good but I’m not sure you would see the step up with the fairly steep outlay. Forget the cheap Martins, junk.
Im saying a used Eastman. Probably the J45 copy.
Jings! Stuff going shopping with you!
I just spotted one I liked the look of and bought it
The danger early on can be buying an expensive instrument which you then realise is sub-optimal for you personally. It can take a long time to work out what suits your changing style and interest. Also, we are all different sizes so acoustics are too. Dreadnoughts (like the FG310 mentioned) are big. OM's and parlour sized are smaller.
Typical acoustic strings are 12's but again up to you and the individual instrument.
Don't worry even a little bit about being a beginner. No-one ever gets happy with their playing ability on the guitar - so we all feel like beginners - most of the time!!
@CornishForest - 10's are extra lights generally speaking, 12's are lights. Most guitar shops typically string with 12's in my experience. FWIW, the bright and tinny is partly the strings and partly the voicing of the Yamaha FG series, I've noticed that Yamaha's have a particular 'family sound'.
Plenty of choices/price points in between.