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I’m so glad you liked it and I feel honoured you will point people towards this!
thanks so much for the background behind the style. I did hear that he only used his index finger which is interesting. It’s great to see and hear how others have developed this style too.
For those like @merlin who are interest in Travis-style playing in Rockabilly perhaps show the importance of sixth and ninth extended chords in getting the authentic sound.
Following on from your A, D and E picking examples in the first video perhaps introduce the D7 chord form with F# in the bass which is very commonly used in Travis style. Perhaps also show the option of thumb-over fretting of the sixth (and fifth) strings that Merle did all the time.
I can sense a Dean part 3 video in the making
I'll keep private messaging everyone with the link to this video.
Thanks for your support so far!
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Rev Gary Davis, possibly the greatest ever proponent of this style, mainly just used his thumb and forefinger which I find amazing. But then he was a genius which must have helped! He would practice one hour every morning and evening.
Classical playing/lessons when you're younger helps since there is very little technically different between the two although the traditions are separate.
On my SoundCloud recordings, scroll down to St Louis Blues as a good example of Travis picking. People who listen to this style of playing sometimes think that it's two guitars because the base line and the treble line can be very separate. It does take practice but the effect is very satisfying. Rev Gary Davis used to call his guitar a 'six string piano' by which I suspect he meant that his thumb was like the left hand piano base clef and his fingers were like the right hand treble clef.
https://soundcloud.com/user-501038181
I guess you are quite seasoned on this style?
i would love to see what you think of the video? I can PM the link?
I feel confident I have broken it down in a simple but really effective way to get to a certain level.
The Travis Picking lineage went from Arnold Shultz to Kennedy Jones to Mose Rager to Merle Travis then on to Chet Atkins and others. Arnold Shultz's playing had similar roots to Rev Gary Davis but Jones and Rager gradually took it in a different direction and Travis cemented the style that we know today.
As for learning, I think it's fair to say that most things are more easily absorbed at a young age. Later in life some are more able than others to tackle new skills but they should not be discouraged from trying. @dean111music has a teaching approach that minimises the likelihood of new players floundering.
I enjoyed DavidR's Soundcloud cover track of the Rev's St Louis Blues. Very well played. By way of comparison here is Chet's cover of the same tune which underlines the considerable differences between the two styles.
in
What they both were was fast!
I meant to mention that for anyone trying to master whatever you want to call this technique, Elizabeth Cotten's pieces are useful. Simple, and pretty too. Tabs available on www if you look.
How do we search for your video on You Tube Dean?
I have PM you with the link.
Cheers
Dave
(Who is hoping to play Pearl Jam - Just Breathe after learning how to "do" it)