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Mahogany L-00s pop up from time to time.
Short scale, all mahogany, 43mm(1 11/16), 00 and preferably 12 fret often default to 44.5 (1 3/4) nut.
No chance you could get used to 44.5mm?
That sounds flippant, but I'm serious: if you play a 12 (most 12s have 50mm nuts, some are 48mm) or a classical (usually 50mm) for a while, you'll be fine with any sensibly sized 6-string not around. Going bigger is always easier than going smaller.
(How one gets used to those little 43mm things if (like me) you find them impossibly cramped I don't know. Maybe borrowing a mandolin would help.)
Brilliant guitars I’ve been keeping my eye out for a used one for a while now.
Guild M120 GAD series - 42.8mm nut not 44.5. This series has been replaced by the Westerly series which has a 44.5mm nut, so you'll need to find a second hand one.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
So look at Takamine, Yamaha, and any of the other makers you can find. Both those first two mentioned make the bulk of their stuff in China, but both retain operational Japanese plants which turn out guitars of quality at least equal to anything made in the US or Europe. Not cheap, but quite reasonably priced for what they are, and I'd be very surprised to see any of the QC problems we see with Gibson and Martin in a made-in-Japan Yamaha or Takamine. Beautiful instruments.
Only suggesting Eastman as they do a number of other small bodied OO sizes with the 1-11/16" nut width, although these are spruce topped and 14-fret necks such as this one: https://www.eastmanguitars.com/e10ooss_v
Not sure if they would count as "premium" but I've had a Brook Taw, Larrivee OM a high-end Yamaha etc. and this is every bit the equal of those. In fact, I'd say it's a lot better than the Brook, which was pretty poor IMO. (Obviously, I'm in the minority there but it was a terrible guitar to play and I think there were neck angle issues so maybe it's unfair to judge from a sample size of one.)
The Eastmans (Eastmen?) are not as nice looking as the Martin all-hogs unless you're into figured timber (I'm not) but they're a much better deal used and, as far as I can tell, amazingly well put together.
No binding to bug you and sound utterly decent
It’s worth taking those extra few minutes to re-adapt the fingers.