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Shops are open again. I'd say that the tried and tested advice is still the best: go play some.
Don't talk politics and don't throw stones. Your royal highnesses.
Unfortunately, there are no hard and fast rules. You have to try them to find out.
Yep. It's been a while since I went acoustic guitar shopping, but the last time I did I spent a lot of time trying out solid top acoustics in the ~£400 range. The laminate Martins for a few hundred quid more sounded significantly better.
That said, I don't think the OP is going to encounter that sort of dilemma in the hunt for a £200 parlour guitar. If I was forced to buy blind I'd probably steer towards the solid tops for the same reason you gave, but I'd much rather get my hands on some actual guitars.
Don't talk politics and don't throw stones. Your royal highnesses.
However, if you want a smaller-size guitar for fingerpicking blues, I would [caution: stuck record ] recommend the Vintage V300M - it's a solid mahogany-topped small-bodied guitar, roughly midway between a parlour and a 000, sounds great, and is under £200 new. They do a spruce-topped model as well, but the mahogany has more character in my opinion.
I actually play mine more than my Gibson Dove...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Funny I like the boxy sounding blues sound, yet I'm worrying about quality of wood
For me it splits the difference perfectly - it's got that barky midrangy bluesy tone, but with enough inherent quality that it doesn't just sound rough.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I've heard it said that a solid top will improve with age whereas a laminate top won't. What it sounds like now is how it will always sound.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Ah OK. I'd have thought the glue would make a difference there but maybe not.
I've never noticed.
Old ply guitars don't sound like new ply guitars, they sound 'old' - which is difficult to define, but you know it when you hear it .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Recording King have a number of parlours with either laminate or solid spruce tops for under £200.
Sigma have some "parlours" actually 00s around the £300 mark that might be worth a look.
If you're looking for a solid top "blues box" I would spend some time deciding whether you prefer the sound of mahogany or spruce.
Cool then I look forward to hearing it when my son is actually old enough to play it properly (he's only 4). Atm it's tuned to open e and he lies it across his lap and strums. Often with a slide, like that Healey chap
I suppose it could depend on how much glue has soaked into the wood. Plus it's not a given that it will sound *better* with age I presume?
Was going to say for £200 there isn't much point deciding between solid and laminate, its better to just find a guitar that fits the bill. Blues sounds great on laminate guitars... unless you want a more sophisticated tone (think Clapton unplugged)... but for some delta stuff, the cheaper the better most of the time, you just want them to be playable
Recording King do their Dirty 30 range which are really great for that depression era blues sound and seriously cheap. Would probably fit the bill nicely
https://www.coda-music.com/catalogsearch/result/?cat=0&q=recording+king&order=relevance&dir=desc
It needs to be able to change shape as it vibrates, it's not like a piston speaker driver, although some makers try to reduce the coupling of the bracing near the edge of the top to get a bit more overall movement.
Studies have been done on how the tops vibrate, and they have several frequency modes going on at the same time
this video has an exaggerated view of this:
to influence these modes and vibration patterns, makers plane some parts of the top to be thinner, and use different bracing patterns, and shave some parts of the bracing away, to fine-tune the vibration characteristics
Historically, luthiers have developed these techniques with solid wood tops. They will know what works and what doesn't.
It's not impossible to use these approaches with laminate, but the characteristics of laminate will be different, and also I doubt you could plane it in the same way - you'd hit glue layers I assume.
I'd guess that if a luthier had developed these skills from studying experts and experience, all with solid woods, then it would be a case of "starting over" if you tried to do this with laminate.
I would think that the manual effort and time spent on tweaking tops and bracing on "boutique" level acoustics would cost so much that the cost saving on using laminate would be trivial in comparison
Mass-Production line guitars would not have this kind of fine-tuning, and could be made with solid or laminate
I'd guess that some laminate might have good characteristics for vibration, but it would require effort and cost to source it and maintain consistency. It's possible that someone might come up with a design that uses laminate that sounds excellent.
In fact, there is a thing in classical guitars called the nomex double top, which is a 3 layer construction. It's much stronger, and the bracing can be reduced. Lattice bracing is possible (Not crystal lattice! ;-) )
I've got one of these, and have tried a steel-strung one, very impressive.
It might be possible to achieve something similar with laminate woods, I wonder if anyone has tried
I think Thomann have very good prices for their far-east-made guitars, I think a £200 Harley Benton would be £300-£350 with a different name on the headstock. QC is generally good, and they will sort things out when things go wrong.
However, with acoustics, trying one out is the best thing
Most Parlour guitars I have tried sound incredibly boxy, so definitely worth trying out, unless that's the sound you want. You usually need to pay more to get non-boxy-sounding ones
I'd say that choosing a parlour model over a normal small or grand-auditorium size would probably have at least as much effect on the sound quality as different brands or use of laminates at that price level.
Eastman sell 'Double Top' acoustics with a similar lattice. I've never played one, but have heard good things.