Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
We went into a rehearsal studio last year, just to try out bits n bobs of gear so got to hear them both.
Soundwise I thought the HX edged it with regards to all of the fx.
Ease of use - Personally I thought the HX is much easier to use. He said he didn't find the MS3 hard to program.
Formfactor wise the MS3 is much smaller and if you can get your head around the interface might do the job.
I do think there is a bit of tone alteration with both units though.
How many loops do you need? If it's two I'd go for the Boss GT1000core which is by far and away a better all round device than either the HX or MS3 imho. Albeit more pricey. But I would personally say it's worth it as it's a great bit of kit.
https://youtu.be/90iz3npOGkA
...no idea how useful that is.
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
Sound wise, the GT1000 fx are next generation compared to the MS3 which is based upon the GT100 I believe. I've also had a GT100 in the years gone by and it was ok, but I found it a bit bland soundwise.
I would state that so far I prefer the GT1000 over the HX effects for sounds.
Footprint wise, the GT1000core is a lot smaller than the HX, the MS3 is the smallest
At the time I had a hard time replicating with the Stomp what I did with the MS-3 because I had built the song arragements around the way it worked.
As for effects, I really liked the overdrives/distortions of the MS-3. Although HX has a lot more options, I don't think they are better but they are always adding more stuff.
I'm still leaning towards the MS3, as it's cheaper and does what I need, When you say the MS3 and the HX FX change your sound, can you elaborate at all? That bit concerns me a bit.
Thank you for your suggestions and sharing your experiences!
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
Both have A/D D/A conversion, so will have some impact on your tone. Probably marginal?
All of the above is based on reviews and Internet wisdom only. Interested to hear more views from those who actually have experience of them.
I'm not talking effects here, just the sound of the unit without any effect.
The 2+2 stacked format of the HX in preset mode makes the unit unusable for me. I’d have to buy a midi controller. Then it defeats the whole object of a compact fx unit.
The menu was a little finicky on the ms-3 but you do get used to it. I seem to recall loop placement couldn't be moved within the interface, it was fixed to certain switches which wasn't the end of the world for me but it did annoy @impmann
The boss did have some unique effects which the hx cannot do and vice versa.
I preferred the drives on the boss unit (surprisingly as I find most single boss drive pedals awful, especially the ds1 and sd1)
Personally I'm not the biggest fan of the line 6 fx in general (I own a helix not a fx). I tend to use the classic fx more than the new ones.
That said I think the boss is awful for phaser and flanger and few other effects were a bit arse
I would recommend you try both. Or possibly look at a selection of pedals and a switcher. Unless it's for bedroom playing, then I'd drop the switcher
The menu system was over complicated, did my nut in and wasn’t as flexible as I wanted. The sounds were in the ‘generic’ category - sorry but Boss can make some wonderful effects but I struggled to get anything out of it that truly wowed me.
For transparency, I spent a king’s ransom on a Gigrig G2 system instead. Imho, best investment I ever made..
I always seemed to have to fiddle with the HX during a gig to get it sounding how I wanted.
There is a delay in patch changing with the HX although snapshots are instant.
I found the snapshots unusable as they always sounded/felt different in a gig situation than in the house.
I preferred my my other (main) board which had wah, drives, Strymon Mobius (for modulation) and a Boss DD500 for delays.
I still have my main board as is.
on the 2nd board I've replaced the HX and Wah pedal with the Full Fat GT1000 (I did have a core but decided the extra footswitches were worth getting the full fat) and so far absolutely love it. The delays are a bit more limited than the DD500 for sure but does everything I'd want to.
The modulations are also excellent - I probably prefer the mobius a little in comparison but for a multi fx the GT is imho better than the line 6 side. They compare pretty well to a Fractal FX8 I had a few years ago.
I haven't noticed any tone loss with using external pedals and it doesn't seem to my ears to colour the sound despite not being true bypass. I reckon I could use the GT1000 drives rather than my own pedals and I think they're a bit more natural sounding than the HX but I am just a drive pedal junkie so...
I haven't gigged the GT1000 or played it in a band situation due to covid but I'm certainly thinking it will play the part.
For your use case, the core has 2 effects loop so a a core with 1 or 2 footswitches (little vein do a small formfactor FS7 with LED's) would allow you to use it for pretty much everything you want. Patch changing is instant, it's actually easy to program once you get your head around it and it feels/looks/sounds great!
As I said previously the MS3 is based upon the same effects as the GT100, which is around 10 years old now. Having owned the GT100 and GT1000, I'd say the newer GT1000 was a definite upgrade sound wise.
I need to switch amp channels, use 3 midi FX (Timeline/Expanse/EQ), and have a Fat General, Mayo, Treble Booster, TS9 in some config or other. That's it really, then add some FX if needed. I have a DPC5 and it's great, but I like the switching options within patches on the Boss, so momentary switching for a flanger, or turn on a chorus.
Anything else is overkill, especially a G2 which I'm sure is amazing but it doesn't have built in FX and is massive!! Most of the sounds I use are the amp, that's why I bought it, so pedals are for boosts or colour where needed so it would be pointless anyway as I'm not using tons of pedals. I was interested in the HXFX but it's twice the size and has less loops.
Thanks for all the input though, it's appreciated. Mostly folk seem to be confirming that there's not a lot of difference between the HXFX and the Boss. It's down to individual usage.
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
Long story short moving away from a bypass looper with stand alone effects pedals.
I want to get to the point where I can tap one switch and get to a fuzz sound with flange and delay.
The ms3 has peaked my interest as it has reverb and delays included and i could run three pedals in the loops.
Alternatively looking at the es5 and investing in the standalone rv500 and dd500 seems like a huge investment. Thinking I may as well just go for a gt1000
Collision rock band