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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
but please get used to acoustics having thicker strings, that is what makes them what they are.
of course you can out 11s on it, but it will quite likely sound tinny and bright, and not BOOMING like you will get as you move to 12s and 13s. You won’t want to be bending as much as on an electric in mist likeliness.
I also find a lot of guitars don’t actually sound any better or even louder with 13s - if anything, they can sound too tight and constricted if they’re not specifically designed for the higher tension, like post-war overbraced Martin Dreadnoughts were. Lighter-braced guitars often sound better with lighter strings, sometimes even as light as 10s.
Even my Gibson Dove - which is a big guitar with a heavy bridge by most standards - sounds more or less the same with 11s as 12s. I have got 12s on it just now (Newtones, which are a bit lower tension than some others) but I’ve used both on it and not really found a big difference - although I have to say I do find the usual 22 G string in a set of 11s too light, I prefer a 23.
Don’t feel that you should be using heavier strings than you’re comfortable with just because popular wisdom says so - try it for yourself.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson