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The first thing that popped into my head was "active jazz"... Problem is Fender's range of LH basses is pretty shit as you know. Squier Deluxe might be a good answer, or one of the Sire active jazzes... Its also very hard to go wrong with an Ibanez.
Whats the budget?
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Nothing super super flash. But a good workhorse, with cleaner output and a more straight up rock tone.
The Stingray "activeness" is annoying me at the moment; and the high-end clank, and the cloudy lows.
There's very little that you can't do with a Fender Jazz, particularly for a man with your production talents.
https://www.basschat.co.uk/topic/442123-2016-fender-american-professional-precision-sunburstrosewoodmint/
https://www.basschat.co.uk/topic/442706-maruszczyk-jake-l4p-med-scale-£1000/
I am very keen on the EMG-VMC EQ accessory. Often, I find that dialling in the midrange cut/boost suffices. The treble and bass controls of the EMG three-band EQ circuitry stay flat.
Bandcamp
Spotify, Apple et al
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
There's almost no context a P can't work imo.
another option would be try a set of D’adario stainless ground wounds.
Then i turned it into a PJ.
and it’s going back to stock shortly.
But if you buy the Jazz, then put the original EMG J set in. They were designed to be silent versions of 1960 pickups and are excellent. I have them in my Sandberg. Very quiet and great sound.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
*points* - dirty bass player