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I'm not, but I'd be very reluctant to use one as a single source in a live setting without very good EQ and feedback control.
I see things like this as adding a bit of air to something less interesting that can provide a feedback resistant fundamental sound.
I haven't used that particular one but I've used DPA and K&K clip-on mics and my experience has been that sound is great, but the practicality in all but the most ideal/forgiving live environment....patchy at best. With a good sound guy and a listening audience it's fine.
General rule of thumb - if you'd consider doing the gig with normal condenser mic for your guitar then one of these will be the same but with added mobility. If you wouldn't consider using a normal condenser because of feedback concerns, don't use one of these either. Claims of feedback rejection due to cardioid patterns etc are grossly overstated.